Monthly Archives: January 2011

T.O.A.D. Bicycle Cooperative

Photo courtesy of TOAD facebook page

Do you like bikes? Do you like working on bikes? Do you just want to know more about how to fix your own bike? The T.O.A.D. bicycle collective of Kalamazoo meets every Wednesday 4PM-8PM at 817 Hoffman Ct. to work on bikes. Bring in your own for repairs, help others with theirs, or just generally learn something new. T.O.A.D. is currently working on fixing up as many rides as possible to be distributed for Springtime riding. They are always accepting donations of complete bicycles, parts, tools, etc.

In addition, Thursday night community rides will return starting next week. If you weren’t aware or weren’t able to make it out in the Fall, Thursday night rides began last year and happened weekly until the cold began keeping riders indoors. For those willing to brave the elements, join up next week at 4PM. The rides meet at Bronson Park downtown.

Check out the T.O.A.D. facebook page for up-to-date information on coming events and activity and to find out how to get involved in various ways.

1/22 – Harlequins, White Lightning, the Wrap @ the Ant Hill

It’s kinda grainy, but that’s Ackley Kid’s own Zach Smith circa 2006 belting out the street punk anthems with his old Flint-area band, the Harlequins. These dudes are gonna bring it all back for a reunion show at the Ant Hill tonight… get out your hair glue, plaid pants, and wallet chain, cause the streets is back. UP THE PUNX!

Also getting quite low and gritty will be punkers White Lightning and hip-hop spazz-ercise party monsters The Wrap. Show starts at 9ish.

1/24 – Foghorn String Band @ the Strutt


“The Foghorn Stringband plays old time string band music deeply rooted in the American folk tradition. It’s a pre-copyright, post-bluegrass style, but the Foghorns put their own stamp on it… It’s a sound that could be coming to you from a big console radio in a 1930′s living room, or an Appalachian front porch; instead it’s being delivered by a group of players from the thriving old time music scene of Portland, Oregon.”

This all-ages show starts at 7 pm, doors at 6:30 pm.
Jamming and dancing to follow the set.

PRE SHOW WORKSHOPS:
Fiddle, Mandolin and Guitar workshops offered,
including a light supper at Redbud Farm.
Reservations: Call Marilyn Branch to secure a spot! 343-5280

About the Band:
http://foghornstringband.com/

1/21 – Forget The Times Tape Release

Forget the Times will be celebrating the release of their first cassette ‘Escape From the Planet of Llamas’ at Louie’s this evening at 9PM.

Photo credit: Rob Atkinson

The tape is being release through upstart tape and vinyl label Already Dead Tapes & Records. Having personally previewed the art and listened to the recordings, it will be exciting to behold the final product.

Helping celebrate the release will be former Kalamazoo resident Problems That Fix Themselves, Skeleton Party from Grand Rapids, and Ypsilanti’s Divorce Party.

Problems That Fix Themselves is likely a known quantity for DIT readers, but it’s always good to have the now Chicago-based experimental/noise brainchild of Josh Tabbia back in Kalamazoo. Check out the video he recently put together for one of the songs off his newest release ‘Seconds’

Skeleton Party, who feature members of the Grand Rapids band Radiator Hospital, are no strangers to Kalamazoo, having appeared at the Fight For The Tuna. This foursome plays a brand of aggressively fast and noisy freak/garage rock that makes you pay attention.

Divorce Party, who dropped by the No Fun House last October, make their return for the show tonight. You’ll be plenty glad to catch their frenzied blend of mathematical  instrumentation and harsh noise. These guys use guitar and vocal effects like they were instruments all their own and it is an insane pleasure to watch live.

Come help the boys celebrate their new release. They’ll be letting the cassette go for donations and the show itself is only five bucks. It’s a hell of a lineup and probably worth missing Hawthorne Heights for.

Flyer by Josh Tabbia

House Show Tonight With Evan Greer and Debra Romer

Not a lot of folks that regularly play house shows receive praise for their work from  noteworthy figures like Howard Zinn and Tom Morello. Not a lot of folks are as hardworking and outspoken as Evan Greer of the Riot Folk Collective. Hailing from Massachusetts, Greer will be performing tonight at the Waffle House on Dutton St. along with Kalamazoo’s own Debra Romer.

The Peace Center of Kalamazoo will be sponsoring this event. Feel free to bring a few dollars to donate. The show will be starting at 8 o’clock.

Acoustic Night at the Ant Hill

The good folks at the Ant Hill have graciously offered up their living room for another cozy night of acoustic performances. Making this the first stop of a two week tour out to the East Coast will be Chicago’s Into It. Over It.

Credit: Dr. Dave Summers

This will be the inaugural visit to Kalamazoo for Evan Weiss, whom you may know from the many active bands he’s been a part of (The Progress, Damiera, Up Up Down Down Left Right Left Right B A Start) or the ambitious project he undertook known as 52 weeks, which involved recording a new song every week for a year. Since then the ever-industrious Mr. Weiss, who records often as a full band but performs solo, has been working on releasing a series of split 7″ records with other Midwestern artists the likes of Castevet, Empire! Empire!, Everyone Everywhere, and Bob Nanna (from Braid!) & Lauren Lo. His latest release is a split 12″ with Koji.

Providing local support will be some of the best of the best of our town’s acoustic guitar-slingers. If you made it to the last acoustic night you will have caught Ian Miller, who returns tonight and will be joined by the equally fantastic Lisa Anderson. A man simply and mysteriously known only as Ashton, a resident of the Hill, will be performing. Kalamazoo’s favorite identical triplet folk team, the Almanac Shouters, round out the bill.

The music kicks off at 8PM and everyone is strongly encouraged to bring a few dollars to donate.

Maps and Atlases return to Kalamazoo, Sunday, January 16

Those rambunctious Chicago pop-math boys Maps and Atlases are making a stop here in Kalamazoo this Sunday night in support of their 2010 debut LP, “Perch Patchwork”.

While the EPs released over the course of the last several years since their 2004 inception carried heavy math-rock influences, there was always a strong indie-pop songwriting core to Maps and Atlases sound.  “Perch Patchwork” still has its share of flashy playing and odd rhythms, but by-and-large the band have fully-embraced their pop leanings.  They still have the basic rock line-up of guitar, bass, drums, but now include a wider scope of instruments (horns, strings, keys) and rhythms and grooves that could almost be described as (gulp!) World Music-influenced.

While the arrangements are busy, the instruments play into each other rather than stray off into technical ostentation.  Vocalist Dave Davidson’s voice rides mighty and strong, the kind of baritone that you would expect to find in a far more subdued, folk setting.   The first single, “Solid Ground,” is a great example of the evolved sound of the band.

Supporting Maps and Atlases at this ALL AGES Strutt event will be the garage-soul of Distractions, also in from Chicago, the post-hardcore Kalamazoo locals The Reptilian, and Grand Rapids math-rockers Charles The Osprey. The show will be $8 in advance, $10 at the door, so you still have one day to save a couple bucks!  Kicks off at 9 p.m. at The Strutt, 773 W. Michigan, Kalamazoo, Michigan on Sunday, January 16, 2011.

Fiona Dickinson CD Release TONIGHT (Friday) at The Strutt!

It’s here.  Friday, January 14th, 2011.  The release of Fiona Dickinson’s debut Strutt Records release, ‘Duende’.  Below this post you will find a review of the album.   The show at The Strutt (773 W. Michigan Ave in Kalamazoo, Michigan) is free.  Her CD will be for sale.  Minutes and Elk Welcome shall provide additional rockin’ beforehand.   Show kicks off at 9 p.m.  Get with it, yah’ll!

1/14 – Fiona Dickinson ‘Duende’ to be released on Strutt Records

cover art by Ryan Brady

 

The level of catharsis and convalescence in Fiona Dickinson’s music is astonishing.  You can feel her voice pushing back the demons as she digs deep into a growl, and then angelically welcome in the healing process with the voice of tranquility.  While the subject matter and mood of her songs may carry a wistful and woebegone spirit, this is incredibly warm and inviting sonance that lives and breathes to understand and rebuild once the exorcism is complete.

Her 2011 debut, Duende, set to be released on Strutt Records on Friday, January 14 at (lo and behold!) The Strutt, is a collection of dark folk pieces that pack a riveting emotional punch.  The production, handled by Dickinson and Andy Catlin, wisely places her voice and acoustic guitar at the foreground of a multitude of other sounds, including violin and backing vocals from Samantha Cooper on several cuts and a cornucopia of instrumentation from Dickinson and Catlin throughout, though almost no percussion.  In keeping the majority of the tracks focused on the waves of her guitar/vocal interplay, the creators have ensured that solo performances will not pale in comparison to the record.  Still, the ornamentation provided is quite effective.

We are ushered into the disquieted land with a brief ambient “Intro” that segues into “My Lovely Friend”, a gorgeous number that finds its narrator in dire straits.  A choir of voices provided by a group of Dickinson’s friends adds an extra touch of meltdown intensity.
“Quiet With Others,” a lyrical oddity on the album as there are no self-references, displays the amount of feeling Dickinson can squeeze out of simplicity, using the main chord changes as several different hooks, some vocal, some instrumental, within the same song while not seeming repetitive.  The chorus, where Dickinson and Cooper harmonize the words “He croaked,” is a vocal eruption that is absolutely chilling in its strength.


The unhinged infidelity of “Stone Me” is one of the more stripped down, raw Fiona efforts found on this recording, with Catlin contributing some tasty guitar and organ.  The eerie terror of “Recalling Dreams,” where Dickinson’s voice sounds as if it’s on the verge of collapsing in ominous howling, is followed by the subdued “Sticks” where Samantha Cooper’s violin wraps around Dickinson’s guitar in a haunting interplay of sparse instrumentation.

The lyrical content grows even heavier and direct with the next few cuts.  “The Wall” includes the passage: “I heard a couple making love in the room next door/ The way she moaned reminded me of me a year ago/ When I loved a boy so dearly and we turned our beds into homes/Now that sound had no meaning so I pressed my ear into the wall”.  Highly effective ambient electronics and chaotic stringery on a cello further the frustration and longing innate to the piece.  Perhaps the most primal moment of the album occurs in “Do As I Please” where Dickinson begs “I said to her/ Please don’t do it/ Please don’t do those things to me/ And she said to me/ Yes, I’ll do it/ Yes, I’ll do as I please”.  These lines, authentically distraught, were recorded with Dickinson facing away from the mic, adding an almost-other dimension quality, like a lost soul trying to break through.  Ghostly voices swirling to and fro in the mix along with Catlin’s suspense/thriller piano arpeggios, layer upon layer of violin and cello swelling toward the end, and a shrieking vocal track recorded with Fiona’s head placed in a bathroom sink, put this track into a whole new category.

The mood lightens at this point. “Just Sleep,” a waltz of drunken, socially awkward indulgence, even includes a playful, comforting old-timey bridge. “Winter’s Coming” closes the show in glorious, across-the-plains optimism, even in the necessary departures we
must face in life.

Curiously, the two definitions found for the album title, Duende, are 1. a goblin, demon, spirit  2. charm, magnetism, soul.  Funny how Fiona Dickinson has achieved the latter by fighting off the former.

The entirety of ‘Duende’ can be heard in advance at: http://fionadickinson.bandcamp.com/

To be released Friday, January 14, 2011 at The Strutt in Kalamazoo, Michigan

Fiona Dickinson: Voice, Guitar, Cello, Violin, Bass, Piano, Flute, Bells, Percussion
Andy Catlin: Keyboard, Guitar, Piano, Reed Organ, Clarinet, Percussion
Samantha Cooper: Voice, Violin
Patrick Carroll: Guitar
Choir: Graham A. Parsons, Mike Savina, Patrick Carroll, Gitis Ezekiel Baggs, Adam Danis, Bennett Young and Drew Tyner

All songs written by Fiona Dickinson
Produced by Andy Catlin and Fiona Dickinson
Recorded by Andy Catlin at Strutt Records (Kzoo) and Chain O’ Lakes Campground (Bellaire, MI)
Mixed by Ben Lau, Andy Catlin and Fiona Dickinson
Mastered by Mark Larmee
Layout by John Stiger
Front cover by Ryan Brady ryanbradyillustration.blogspot.com
Struttrecords.com

Open Mic at the Strutt: The Jungle Jam

For a few years now, The Strutt has almost invariably held an Open Mic every Tuesday evening from 8pm to close. It’s a fast moving, well-oiled hyper-fest of 15-minute acts ranging from absolutely baffling to drop-dead amazing.In short, it’s usually a recipe for a good time.

Now The Strutt is a welcoming place by nature, and so it only makes sense that at the open mic, it’s real easy to come down by yourself with a guitar (or without one – the house provides a backline of standard gear) and end up playing with a full band. This ‘jump-in-and-jam’ mindset is one of the many ingredients that, in my opinion, consistently puts the Strutt’s open mic a cut above the rest.

Well this ingredient, for the last few weeks, has been a feature of the end-of-the-night on Tuesdays. Essentially, a host of the Strutt’s usual suspects grab the stage about 1am or so. At this point, the drums start thumping a beat specifically engineered to get a body moving. This is the first sign that a Jungle Jam, as it has been lovingly christened, has come under full swing.

Next, the bass and guitar jump in with anything from southern foot-stompin’ to afro-cuban groovin to cha-cha to whatever might strike the fancy of the impromptu orchestra. Then, the auxiliary instruments ice the cake with strange percussion and andassortment of ornamentation. Finally, the remainder of the bar – patrons and staff alike – get out of their seats, push the tables to one side, and dance like nobody’s watching. Of course, nobody is watching. Everyone else is busy getting down.

The 21st century scholar and philosopher G. Clinton once said this, on the subject of health, wellness, and the general existential crisis that each of us is faced with on a daily basis: Free your mind, and your ass will follow. Now I don’t have a medical degree, but I have been watching a lot of House, so I feel safe to say that if you’ve got the night free and can stand to get a little less sleep for a night, you should come on down to the Strutt open mic. It’s for your health.