Monthly Archives: December 2012

12/12: First Ever Kalamazoo Free School Workshop – Booking, Promoting, and Managing Shows – at No Fun House

A free school is an informal, community-based method of education that puts emphasis on skill-sharing, experience, accessibility, and getting involved with others in your community.

This workshop is a primer/refresher on setting up shows in your basement. Things like booking touring and local bands, finding a suitable basement, promoting your event, and basic crowd control before, during and after the show. This is also the first workshop in a series regarding house shows, so stay in the loop!

Whether you’ve never done a show before and need the know-how, or you’re a seasoned expert and have something to share, come to No Fun House on Dec. 12th!

If you want to offer to teach a workshop, find out about workshops going on, or just hear more about free schools, organizational meetings are going to be held every other Monday at 5pm. The next meeting is Monday December 17th at 926 Davis. For more information, check out the facebook.

12/11: When A Lumberjack Falls In The Woods–High Dive, Our Lady, George Costanza, and Witchfingers @ Milhouse

When carousing on a Tuesday night in Kalamazoo, Michigan, some stroller-abouts might have trouble finding something “relatable.” More so if if they happen to be a straight, white, male.

You get weird looks in the bars, surrounded by hordes of glassy-eyes ogling your Levi’s and plaid, and all the restaurants have funny names for the drinks like “Rainbow Hobgobbler,” or “Jackie Gleeson’s Log Cabin Party.”  By golly it even seems like the way I wear the bristly spider hairs on my face becomes subject to public criticism; especially on Tuesdays.

It happens everyday. Taking over the music scene, too. Gays, lesbians, transexuals, transgender, all the Alphabet Soup Party members burst out the perfectly matched shutters, periwinkle closets, and checkerboarded picnic tables of the Vine Street Neighborhood, screaming and hollering indecipherable rants on “acceptance,” “tolerance,” “community,” and “identity” into the atmosphere, inevitably linking up to the hive minded stage over at the 411 Club also known as Metro.

Spinning off of these choruses and chasms is what can be considered “queer-core,”  what show-booker and house-venue operator Rory Svekric describes as a genre that askews “ ‘heteronormatively’ written” songs “that need to be fudged a little to be relatable.” They may or may not contain members of the overwhelming  majority that is the LGBTQA as well. That’s why she booked the Bloomington, Indiana queer-core pop-punk trio High Dive for her show tomorrow at Milhouse–and maybe for lead singer Toby Foster’s playful lisp, or the quick bursts of energy that surround their two-and-half minutes diddys about isolation, love, and suicide as angst ridden teens and twenty-somethings. Kissing boys is a major theme as well.

Who can possibly find themselves in these songs?

High Dive will be playing alongside the ever-changing power-pop-punk group Our Lady from Springfield, IL, and home-grown emo-indie acts Witch Fingers and George Costanza, the second of which may quite possibly be the most emo band name I’ve ever heard. Both of the home town groups share a spastic spittle ridden silliness in their sound, that in some way shape or form may be appealing those gruff young kids that have the same spastic spittle ridden silliness called angst.

Tomorrow night, Milhouse. 8:30 p.m. Donations for the touring bands would be more than tolerated.

Respect the house, respect the bands, respect the perspectives.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

12/9: Noise Noise Noise or, Get Off My Lawn–Rotten Wood Moon, Rapstar, Cathode Ray, and brick mower @Victory House

Rotten Wood Moon

noise

According to the googlebox, the most the news world of Kalamazoo has to say of “noise” is the new amendment passed by the Kalamazoo Board of Trustees to their previous ordinance. According to Emily Monacelli of mlive, “The Kalamazoo Township Board of Trustees voted unanimously Monday to amend the township’s noise ordinance to exempt noises sanctioned or conducted by governmental units, public or private schools.”

Seems the audibly blaspheming steps of children stampeding out to the hellish commands of the wailing banshee screech that is the recess bell outside the Reformed Heritage Christian School pushed one man to the brink of decency. The edge of mediocrity could not be dulled by their hedonistic cries of pleasure; damn well indecent that is. Faith against the system prevailed in giving those hellions a medium for their sickening, exasperating behavior.

In my experience, the 80’s era 3-way speakers, Panasonic tweeders satellites engineered for maximum noise blasting in a college living room consumed by piles of plastic like Born To Run, Shabazz Palaces, Broken Boy Soldier, Emperor X, all begin to echo bits of euphoria once analyzed for decibel content and carefully monitored by the blue men and women of the KPD.

Noise is a commodity to be given and controlled, like borrowing the salt from your neighbor to bake them a batch of green brownies; something to be shared naked, heaving, dazed and blurry-eyed. I harassed Dr. Herzog, an old friend recently tenured in the glass booth over at CVS, into slipping me a half-dozen scripts of noise for this growth on the side of my head, but upon opening my white-baggie all that sat at the bottom  was a 36 ounce tube of testosterone cream. Bastard mumbled something about “…not more than 50 decibels after 10p.m.” and retreated into the shelves to go calcinate some meth from the empty bottles of high-end cold-medicine. Or something like that.

After vigorously applying, one doesn’t usually notice a difference. And I haven’t, so that’s enough of that. Instead there some other folks trying to tell the young men and women of Kalamazoo how to responsibly enjoy their use of noise. Rotten Wood Moon, a recently resurrected group of musicians, will be headlining a noise-show over at Victory House Sunday night at 9 p.m.. Along with house-made-group Cathode Ray, and visiting noisemakers Rapstar, of Brooklyn, NY. I expect they will be making plenty of the stuff. Noise, that is.

It’s strong stuff, too. Made right in the living room or basement, filling up the hallways, it stinks of life–and it’s just as unstable. I’ll be damned if I know why there are any reasons to flock to these sorts of things, bashing on guitars, projections on the walls of empty hallways, lost-faces, dead dogs. The audience is likely to be in-corporeally surrounded by wails, drones, and chants that would drive fear into an Satan-loving man’s heart. Could hardly call the stuff music; sometimes sounds like jazz, meandering into rock, other times just instrumental spew–all of it a blatant disregard for the rules. I saw a  noise-freak once lay his electric guitar on the ground and start hammering away with his hands to the neck and body, summoning forth chords that the instrument wasn’t used to making in a performance setting. The audience just stared on like occultists monks, zoned out in a daze only replicated in the back-alley opium dens of Chicago’s Southwest side.

For their farce on Sunday they’ve even harassed some properly-performing punk band into playing with them–expanding the stuff to those that can’t handle the hard, ethereal, ether stuff and making it accessible for the Bouncing Soul types to get a hold of noise. I’d heard about the sleazy streets of New Jersey from a cousin who’d gone to Seton Hall, but I thought that brick mower, the group that is, might try to do their civic duty and keep it down. Their music doesn’t seem to reflect that standard of proper noise-making, instead traditionally following the lines of power chords and loud choruses, songs about sex and cigarettes.

Peddling expression to the creative youth like it’s something to be freely abused. It seems like 50db isn’t a marker of common decency anymore. First the children, now this–I’m going to start petitioning for a new ordinance. God knows what they might be teaching in that house.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

Respect the house. Respect the noise. Respect the self. Donate for the touring bands.

12/8 – Fever Haze, Brown Cow, Lost in Translation, Fossil Eyes @ The Courthouse

The Courthouse is wrapping up December, and the year, with an awesome line-up.  We’re doing it just because we love you all so much.  There’s sure to be a lot of good times and, more importantly, good music.

Give the links below a listen

Bring donations

See you at the show!

 

Fever Haze – From Holland, MI – Soul-infused low-fi rock, out of the garage and into the basement for our listening pleasure

http://www.facebook.com/thefeverhaze/app_204974879526524

Brown Cow – a steady, lyrical folk-rock with an angry, insightful attitude; don’t worry, it will make you feel just fine

http://browncowtunes.bandcamp.com/album/this-is-vinyl

Lost in Translation – Here to create live music in real time, a Kalamazoo instrumental trio that synthesizes a variety of styles into one monumental jam

http://lost-in-translation.bandcamp.com/

Fossil Eyes – Kalamazoo post-hardcore, with all the melodic progressions and insane power-vocals you’re dying to hear

http://fossileyes.bandcamp.com/

Respect the Bands.  Respect The Venue.  Respect Each Other.

Saturday Night – Everyone and Their Empty Cups to release new album, ‘Mechanically Separated Children’

empty cups

Jon Follet, Kalamazoo music staple-turned visiting Portland resident, is back in town for a proper CD release at Touchdown City this weekend. A handful of years back, Follet started performing as a solo musician under the name Everyone and Their Empty Cups. Eventually this project evolved into a full-fledged three-piece rock and roll machine that hearkens back to other such 90’s three-piece rock and roll machines as Nirvana and Modest Mouse*.

Joining them for the album release celebration will be a couple acts sharing members of Empty Cups; Blank (which bassist Mark Heyboer recently took over on bass duty for) and The Wrap (the long-running hip-hop project of drummer/sex-demon Gabe Hovey); as well as Koster and The Pork Rinds, which is, as far as I know, a relatively new Kalamazoo act.

The show is guaranteed to rage in all the best ways that Kalamazoo basement shows are known for and this may be the last time you get to see Everyone and Their Empty Cups for a good while. Bring a few bucks and pick up a copy of Mechanically Separated Children, the long-time coming fruits of these boys’ labors.

Facebook event

*Modest Mouse was totally and officially only a three-piece for a number of years, many of them being during the 90’s. Count it!

WIDRAMA Kicks Off 12/7

WIDR fm, Kalamazoo’s local college/community radio station will be bringing a monthly local showcase to the 411 club. WIDR has hit some hard times, as much of their funding from WMU has been cut. To help supplement this loss, they’re doing rad stuff such as this!

This show will feature The Reptilian who have recently returned from a tour in the UK, and will likely be bringing fresh tunes as well as old favorites.

Also newer to the Kalamazoo scene, Onn will be bringing their brand of heavy, intricate, techincal rock.

Finally, Totally Rad – Kalamazoo’s finest lo-fi, twee, surf band will be making an appearance.

Doors open at 9, show starts at 10, and will have a 3 dollar minimum donation (for the good cause that is local radio that does not suck).

Kalamazoo Classic #1: Wingnut Dishwashers Union

This first set I’m posting is from Pat the Bunny (Ramshackle Glory/ Wingnut Dishwashers Union/ Johnny Hobo) April 6, 2008.  It was a knockout show from the now defunct hotspot/venue Rocketstar Cafe.  You can download the show from here. Pat will be playing in Kalamazoo again on Dec. 26 with Michael Jordan Touchdown Pass and Alex and Marcus Quinlan at the Fireplace Club.

New Sherriff in Town

Greetings Kalamazooians,

We here at ditK are not merely a place to find out what shows are going on, we are building a culture.  Our model of open collaboration is already catching on in other cities and we are constantly looking to evolve.  Culture needs a past, present and future and having been in town for a while and collected a wide assortment of audio recordings, I’m going to do my best to tell the story of Kalamazoo’s recent past.  I’m going to post up a live set at least once a month of mostly local artists, or artists from afar who slayed our fine city.

Some of the recordings will be rough, have mistakes, people hollering or simply no longer representative of the artists.  However, live recordings also capture the environment, the mood and a passion that is simply not reproducible in a sound booth.  I often wonder how I didn’t end up a deadhead.  I digress.

The first set will be up soon.  If you have any recordings you would like to share with me I would love to hear them and potentially help clean them up and post them.  Or if you have questions/ concerns you can send e-mails to me at j5ruggles (@) wmich.edu

Mobile users, have we got a deal for you!

So the mobile version of this site doesn’t show the sidebar, and we know that’s what most people check when they hit this site up up (heck, that’s what we check every time we hit this site up). We have a solution.

A ways back, we implemented a page called ‘shows’ which was a carbon-copy of the sidebar until everyone forgot to update it. Well no longer! The ‘shows’ page will be updated minimum once a week, and at present there’s so much stuff booked out on it, there shouldn’t be any trouble in missing shows that way.

To access this page on your mobile browser, just go to https://ditkalamazoo.com/shows/ , or you can touch the dropdown menu on the ditkalamazoo.com main page (aptly titled ‘menu’), and touch the ‘shows’ option from there.

Hope this is helpful!

-DIT(K)

DIT Session #28 – The La De Les – “Too Small Of Hands”

DIT Session #28
The La De Les – “Too Small Of Hands”
DITsessions.com

http://ladeles.com/
https://www.facebook.com/theladeles