Author Archives: Z.A. Clark

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About Z.A. Clark

Is your local, neighborhood English major with too much time on his hands (directly related to the same major), so he bothers the people around him about music, news, and other nonsense. He is a writer for DITKalamazoo, The Index, Kalamazoo Local Music, and has written for Kzoo Music Scene. He is also a co-founder of the no-cost recording group DIT Sessions, where he also manages video editing and video recording. Grief and Grumble. Goodnight and goodluck.

Singing Songs off The Shoulder of Orion: An Interview with Sam Cook-Parrott

If Sam Cook-Parrott is anything, it’s prolific. With a catalogue of one album, three EPs, and a bunch of other ‘albumettes’ floating about under the name Radiator Hospital, his primary band–and that’s not including other bands he associates with like Photographers and Strawberry Heritage–Cook-Parrott’s bubblegum punk projects are leaking out of Grand Rapids and into music scenes across the Midwest.

With music on websites such as bandcamp and cllct.com, and with a recent release, Welcome To The Jungle, under local cassette/digital distributor extraordinaire Already Dead Tapes, Cook-Parrott has implanted his sound here in Kalamazoo.

My first contact with the artist was when I was cobbling together a film project, and his song “Michael & Barbara” caught my ear. I had discovered Cook-Parrott after local Strutt Booking Manager Andy Catlin shared the song on his site disclaiming “Dude writes wicked songs!” Well, how can one resist “wicked songs?” The bounding guitar and pleading vocals of “Michael & Barbara” seem reminiscent of a lonely kid on his couch trying to shake away some depressive doldrums with his only two friends: a guitar and his television—something that fit the mood of the solitary record store I was trying to portray. I got a hold of Cook-Parrott and he gave the go-ahead for using “Michael & Barbara” in my film.

Later, I would wrangled a few words from him in a subsequent interview, intrigued by the at-home, cassette-like hiss, and sci-fi femme fatal fascination  that has been a consistent theme for all of his records.

While working on multiple projects such as Winter Break and Strawberry Heritage the (latter formed with Frontier Ruckus member John Hanson) CP explained that Radiator Hospital is his main project and subsequently how it began. Like so many others, the project had its origins in another band. “I had a band (Cookie Bumsted), in high school, that was like me and a bunch of friends. That sort of died out–not everyone was interested anymore,” he said.

The Sam Cook-Parrot in his natural habitat.

Sam Cook-Parrot, for those that are not familiar.

Afterwards, Cook-Parrott wanted to revitalize the songs Cookie Bumsted had played.  “I thought it would fun to record all these songs we had and record in a different way, playing the instruments myself. Prince did it all himself. The Toms, a band from from the 70’s and 80’s, did it all themselves–that is the stuff that influenced me. Except it sound nothing like that; it ended sounding like typical lo-fi.”

This inspired Cook-Parrott to write on his own, eventually forming Radiator Hospital as a solo project with that same bedroom, lo-fi sound. “I ended up making a band that was bed-room rock and then sort of a punk band playing all these songs.”

As a result, Welcome To The Jungle, I Want To Believe, Can You Feel My Heart Beating?, and Nothing In My Eyes, amongst a flurry of random collections of singles and compilations, were produced under the Radiator Hospital sigil. Most of the earlier work was written by CP on his own, but eventually he just “wanted to play the songs live,” and formed a band around the music.

Radiator Hospital gathers much of its inspiration from the femmes of fiction. From the likes of Agent Scully (X-Files) to Rachael Tyrell (Blade Runner), female characters from film and television emblazon his album covers in a style reminiscent of The Smiths trademark: an old picture with a band-name. Cook-Parrott says he “likes the imagery of it, the idea of it. I am into cool sci-fi stuff, for the covers of the records [the women] are really strong image of this really beautiful girl looking at you.”

All of this is an “homage,” explains CP, “about how these people are a part of my life–even though they aren’t because I don’t know them.”

“There have been periods of time where I have spent days or weeks just watching X-files and writing songs.”

There is a fascination with fiction in CP’s writing, a desire for a world that only exists in the static glow of a television, and which he attempts to convey with the hiss-hum of his lo-fi pop. “I love the melodrama—stuff like ‘this moment is the most important moment of all time’ or ‘if this kiss doesn’t happen we’ll all die,’ and of course that isn’t how it is, but sometimes you do live those moments, as silly as that may be.”

For those interested in checking out Radiator Hospital, Strawberry Heritage, or any other of Sam Cook-Parrott’s work, just visit radiatorhospital.bandcamp.com or strawberryheritage.bandcamp.com, or see him play June 25th at the Old Dog Tavern with Strawberry Heritage.

Album Review: UUNO’s “This Is You At Your Best”

First some context. This Is You At Your Best is a personal project by Christopher Wahamaki, who is the literary brainchild behind the album. Writing all the vocals and music for the album’s nine songs (aside from the music of “Focal Point,” which was written by Sophia Boudeliou) over over the course of 19 credit hours (he was still in school while creating it), Wahamaki believed he ended up with a psychedelic-folk album with his recording buddy David Bolema, who managed all the mixing, recording, and background instruments.
While a few acoustic tropes are thrown in for good measure– distant harmonica playing, sparse violin, and backing female vocals done by local brooding-femme artisan Fiona Dickinson, the album feels more like an alternative rock performance than an out-there psychedelic-folk concoction. The opening song “Homeward,” seems to have more in common with Joe Jackson’s Big World– an echoing, live, stadium performance where the audience was asked to hold the applause in between songs, then The Jefferson Airplane or The Grateful Dead.

This Is You At Your Best

Rather than focusing on psychedelic, stripped-down acoustic meddling or watery distorted grooves, listeners are introduced to an album that features amped-up, arena-style acoustic ditties.  Wahamaki’s songs feel more at place during drunken strolls through rain-slicked city streets dotted with neon signs than a fire-pit where everyone is tripping on mushshrooms. That being said the album is pay-what-you-want on bandcamp and thus cheaper than both of those activities, so I recommend dropping a buck for a solid, local, rock-album.

5/9 Jeremy Waun, Alex Young, and Neil Shah @ No Fun House

Alright DIT do-gooders, it’s summer time, and for all of you who are of the sit-back with refreshing beverage in hand type, well we have a show/pot-luck combination on Wednesday, May 9th that you (hopefully) won’t spill your beer at.

In for an all-acoustic set is Jeremy Waun of the Detroit based band Reverend. With a 1,2,3,4 count that never fails, Waun has a down-home nostalgia about his music, with a sound that is about as comfortable and familiar as a creaking rocking-chair on a humdrum summer night.

Neil Shah and Alex Young, of Kalamazoo-based groups Ackley Kid and Pan respectively, will also be performing acoustic sets that will differ from their more rambunctious main projects. Alex Young said he has “a few new songs written up” specifically for this acoustic set and “a buncha covers” ready.

Food cooks up at 7:00 p.m. at No Fun House, with music starting around 8:00 p.m. It’s FREE as usual, and be sure to bring some delicious food and donations for the pot-luck and touring artist. Non-delicious donations will also be accepted.

Whoa, Wacky WIDR Wednesdays with BLANK, the Wrap, No Bails,and Coma Nova 3/14 @ The Globe

BEAR.

This upcoming Wednesday WIDR DJs Useless Eater, Rottweiler, and Jake are hosting BLANK, No Bails, The Wrap, and Coma Nova for your FREE listening enjoyment at The Globe. Come on down for music from 9 p.m. to closing time in the wee-small hours of the morning.

What is there to say about BLANK? Shrouded in mystery, there is only a single image of their possible front-man and rhythm boy-wonder. While they describe themselves as a mix between “rock, punk, and grunge” I like to think that they are an unknown force of good in this town, always ready to right musical wrongs like some sort of underground, garage-band Batman. Honestly, I have no clue what they sound like, so you should come listen to them Wednesday so you can finish this article.

Batman in front, rhythm-wonder in back. Maybe.

In studio the Wrap, self-described as “karaoke from the future,” sounds like someone is prying your old Gameboy apart with soldering tools and seeing how to make it squeal. The group lays down some heavy, buzzed-up synths, zombie-like vocals, playful raps, and samples that range from slowed down “Sister Golden Hair Surprise” to goat bleats.  Live, they sound like someone hit that poor Gameboy with a hammer and put that sound through a voice modulator.  This goofy group led by Gabe Hovey is worth a double-take.

With host DJ Useless Eater leading the No Bails “turgid rock” trio on guitar, one can expect a Ramones-esque punk smash. With vocals sounding more like a rock tumbler, this gravelly group will almost certainly rock if Mr. Eater plans to uphold his honor as WIDR DJ.

Multi-faceted alt rockers Coma Nova have gone through some changes as of late, but still provide an untamed and unpredictable live experience. Sounding like a powerful hangover one moment, pounding and roaring away, and radical, grody, surfer rock the next, there is always something to catchy to stomp your foot to within a Coma Nova performance.  The group will be releasing their new album with the current line-up soon, and this will be a good opportunity to check out some of their new stuff.

Doors open up at 8 p.m., BLANK will be opening up the night at 9 p.m., followed by the Wrap at 10 p.m., No Bails at 11 p.m., and Coma Nova at 12:15 a.m. Afterwards, WIDR DJs Useless Eater, Rottweiler, and Jake will be spinning tracks until closing time, so by golly if you asked for music here you go. Oh, did I mention it was FREE?! No exceptions people, unless you’re under 21.

Friday 3/2: The Terminal Orchestra, Glowfriends, and Fiona Dickinson @ Louie’s Trophy House

Those searching for that sublime hum, those of the sit-down/tune-out persuasion, should meander on over to Louie’s Trophy House this Friday night. The Terminal Orchestra, an atmospheric ethereal multi-piece band from Marquette, MI, has paired up with wistful shoegazers Glowfriends and mistress-of-moody Fiona Dickinson, to reinstall winter melancholy before the snow all melts into the gutters.

The Terminal Orchestra is a 9-piece group out of Marquette with a symphony savory sound. Citing The Good, The Bad, and The Ugly composer Ennio Morricone as a main influence, these guys and gals are grandiose while remaining delicate.

Glowfriends are a bundle of mellowed out indie poppers with a sweet spin. Expect bubble-gum highs followed by lullaby-lows.

Fiona Dickinson, shame if you haven’t heard of her, plays as if howling out of the deepest depths of whatever hell that dared drag her bittersweet voice into it. Her cries are darker than a piece of chocolate cake at a funeral, and her teardrop voice just as much of a guilty pleasure.

Show starts at 9 p.m., costs $5, and y’all should be of the +18 age range.