Author Archives: rraarrss

Unknown's avatar

About rraarrss

I am all the coffee. Music maker, flyer doodler, show booker, anxiety haver.

DIY Community Ethics

We’ve got something pretty great here, Kalamazoo. This loosely-defined yet tight-knit group of people who put together art and music events and publications is something that I try not to take for granted. This community offers Kalamazoo something different than the norms of society; something better than the monotony of a college town, or a low wage job.

I love this community for exactly that – the difference from overarching society.

That’s why I just wanted to say a few things about what can make a community like this really great. I’m not saying Kalamazoo necessarily lacks these things, in fact I don’t think we do. I just think that a group that is trying to break away from what really sucks about normative culture should better acknowledge just what sort of alternative we are looking for.

It’s great to see some genuine respect for those who are involved. At a show, this means respect for the bands – touring and local; the people who live at the house or run the venue; and the people who are attending the show, whether you know them or not. This applies to you, wherever you may fall on involvement. Bands should be aware that when they are up at a mic they have a larger control of the space than most anyone else in that room, and should pay attention to the things they say. People running a venue should try and not talk to people attending a show in a way that sounds authoritative or degrading. People attending the show should try and recognize the vast differences within the attendance population of a show, and realize that their actions and words will be perceived differently by a large number of people.

I say these things not because they are necessarily a problem in Kalamazoo, but because these are the sorts of things that should be considered by everyone involved in a community event space. Are you being respectful to those around you? Do you feel respected, or do you feel offended or unsafe? These are reasonable things to assess while you’re in a large group.

I don’t think these guidelines take away from the spontaneity or interest of the events that take place. I do think, however, that actions such as violence, groping, or flagrant hate speech would detract from the efforts of this community. Our normative society is all about being hateful, divisive, and marginalizing, and I personally don’t see a place for it here.

I fell into this community easily because I saw a group of people with a vast array of interests and ideals working together to have a good time and to appreciate art and music, while making friends. Had I come into this community and noticed a trend in violence, hate speech, sexual aggression, or an obvious marginalization of certain people, I would not have taken to this group. I imagine many people in this DIY community feel similarly.

On a personal level, I love that I can feel safe in this community as a female-bodied person, as a queer person, as a person of smaller stature, as a socially anxious person. However, that does not mean that I have never felt unsafe or treated with disrespect because of these things at shows. That doesn’t mean I have never heard other people express similar discomfort. We have a great community, but it’s not perfect, and can always be improved.

I say these things with the thought in the back of my head that much of what I’m saying is a no-brainer to most who read it. With that, people should not feel alone in the fact that the actions and words of other event-attendees (or hosts or bands) might have made them uncomfortable, and should feel that they are able to express that. If we as a group do not want hate speech at events, don’t let hate speech get off the hook when you hear it. Many other people probably have your back on this, and no one should feel uncomfortable calling out something that marginalizes certain people. If violence is making you uncomfortable, I’m sure you’re not the only one. We as a community can acknowledge that violence is unacceptable in this setting, and not allow it. All it takes is an understanding of the underlying values that go into a community like this. It’s not rules, it’s respect for your friends.

Tweehouse of Horror – Tweepop/Acoustic Show at Milhouse!

Tomorrow, October 6th at 8:00 PM, there will be an acoustic, twee pop show featuring touring acts Madeline Ava and Mitch the Champ, as well as locals!

Madeline Ava plays tweepop on ukulele and sings about being nervous and how great her friends are. If you are a fan of Plan-It-X Records, she is to not be missed.

Mitch the Champ plays folk punk, and also occasionally plays his songs on a Casio electric guitar. If you’d like to know more of what that is all about, you’re just going to have to come to the show to find out!

Also performing is Pete Zange, AKA Angela. They are a long time supporter of the Kalamazoo music scene, and will be performing for the first time! Come show your support like they have done for many of the events here!

Rory Svekric from the Almanac Shouters will also be playing a couple of old songs she wrote. It will be her first solo show as well.

Come on over and see friends, and make new friends too!

Lisa does care if she gets an A in math this semester, and about her Dental Plan

This is the most relevant Simpsons image I could find.

Daniel Francis Doyle and more at the Strutt TOMORROW NIGHT

This upcoming event is a show I’ve been hyping up since I first heard about it. After seeing Daniel Francis Doyle play several months back the last time he stopped at the Strutt, I was completely floored. He is a one man band, utilizing loop petals and multi-instrumentalist talent to it’s full potential. That being said, though his show is a wonderful spectacle, his music is strange and captivating enough without the one man band aspect, I would recommend his work no matter how the stage presence is.

This time the show is also stacked with some of Kalamazoo’s finest. Starting off with a staple to this local music scene, Tim Tapper. He is an impressive songwriter, ever changing and improving his style.

Also on the bill is a new up and coming group, Witch Fingers, who feature members from the Reptilian, Ackley Kid and Forget the Times. For any fans of mathy yelly hardcore, this will be a group to look out for. Though this will be only their second show, these are well-seasoned musicians who will likely impress you.

And finally the Kalamazoo Duo Good News will also be performing their brand of highly technical aggressive math rock. These two have technical skill that is tough to match, that any musician in the room would be hard pressed not to watch.

The doors for this show are at 8pm and show begins at 9. The cost of entry is $5.

Fletcher Hallow-What-Have-You, This Friday!

As a DIT representative from the Fletcher Collective, I’m very excited about the show we are putting on this Friday! Fletcher Collective is rarely used as a house venue, but when it is, it never disappoints. You may or may not recall being here to see Her Majesty Ship, Victory!, Rotten Wood Moon, Nunca Duerma, Chelsea Boys and Tacocat, or perhaps Zombie Apocalypse Now! and the Proverbials. Once again we will be bringing musical acts coming from a range of sounds and influences. This time around it is two days before Halloween, so we are attempting to decorate appropriately, and hope to see you all in costume.

The show will begin with the local free jazz three guitar onslaught Forget The Times, who will bring more noise than your ears have room for. This band is fairly new, but are already showing extreme dedication to the Kalamazoo music scene.

Then the Almanac Shouters, the resident acoustic singer songwriter folk punk outfit of Kalamazoo. This will be their second show as a three piece. Expect upright bass and songs to yell along with.

From Jackson, Michigan Matt Rozensky will be doing an improvised electronic set. For an example of what he will be doing: http://www.facebook.com/video/video.php?v=455984884240&ref=mf

And touring from Rhode Island, will be Tik Tok, with a vaudvillian, rag-time, clanky, jangly folk sound. Just Tom Waitsesque enough to be perfect for a Halloween show.

This will be a free show, but a bucket will be going around throughout the night for donations for Tik Tok, as they are on a long tour and could use help getting to their next stop.

I look forward to seeing you all there and in costume, and have a happy Halloween.

In Case You Missed It…

Tonight a whole slew of experimental rock graced the No Fun House basement. Here’s what went down:

The show began with locals Totally Rad, who could be likened to a day where the Dead Milkmen decide that they are not actually opposed to going to the beach, and on their way stop at an icecream parlor. There they run into a recently formed greaser street racing gang composed of members of King Missile and Ween. But with balloons and stuff. In a word: radical.

Chicago band CMKT4 was up next, filling the whole performance area with various machines of noise and beeps. They were reminiscent of some sort of 80s underground sound that I could not quite place. Sometimes comparable to Bauhaus, sometimes Captain Beefheart. All the time filled with drones and noise that was comparable to local band Rotten Wood Moon, but used in a different manner.

Afterward, local group Forget The Times took over with a 3 guitar onslaught wall of sound. 90’s Sonic Youth-esque noise rock intertwined with spastic jazz drumming. Sometimes much like Naked City. Occasionally using what would be considered funky beats in any other setting, but with the grinding droning guitar, seemed foreign and bizarre in a good way.

Finally was last minute addition Jonathan Hape from Columbus, Ohio, who toted an acoustic indie rock ambient sound. He successfully pulled off the one man band, with an extensive use of loops and a small drum set, creating a sound similar to the Notwist, though with a shoegaze flare.

All together the show was eclectic, impressive and fun, with the only downside being an unfortunate lack of attendance.