Author Archives: Jay W. Ess

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About Jay W. Ess

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Punk musics and others like it

Monday night at The Strutt saw a Roman Invasion, as two most excellent jazz bands from the Mediterranean displayed an absolute amazing command of the finest intricacies of music, as well as the parts that others may argue sound nothing like it. I was unable to see Tribraco’s set, but Neo was in, a word, spectacular. In two words, absolutely terrifying.

If jazz-punk isn’t really your thing, maybe a little punk-rock or folk-punk would serve your palate better. If that’s the case, then make it a point to check out the rockin’ and rollin’ at No Fun House tonight. Most notably on this evening’s bill is California-based Tiny Lungs. These punk rockers may not be a world away, but Cali is still a three-day drive. That said, these guys tear it up.

On the way from the Golden state, Tiny Lungs picked up Jason Clackley and the boys. Sliding effortlessly between hard-hitting rock tunes to softer acoustic folk music, this Seattle original is sure to get the blood pumping and the bodies moving.

Rounding out the set, Kalamazoo’s newly formed local group Lincoln County War will be in the house just long enough to tear it down. This time, Benji and Sofia will be joined with a rock-and-roll rhythm section, so if you want to get down some home-brewed local folk-punk with an edge, check it.

Show starts at 9pm, 2 bucks at the door goes to the touring bands. Hope to see you there.

Graham Parsons and the Go Rounds are putting out a record, and it rocks.

In the past, I have been fortunate enough to work with one of Kalamazoo’s finest rock outfits – Graham Parsons and The Go Rounds. These five men of varying ages and heights have come together to make music that at different times is sweet and serene, overpoweringly soulful, absolutely rockin’, or just plain bizarre. Graham Parsons, Adam Danis, Andy Catlin, Todd Kloosterman and Grant ‘Gitis’ Litler put on a show a few months back, recorded it, and turned it in to an album. The result is something that is nothing short of excellent.

The disc was handed to me in nothing but a black cardboard sleeve with ‘GO ROUNDS’ printed in white on the front, and a small ‘Strutt Records’ logo with the address of the Go Rounds’ website printed on the back. There was no liner notes, no lyrics sheets, and even a track listing was omitted. The simplicity of the packaging, however,  belies the overall quality of the music to a staggering degree..

The album starts right out with a blatant and brazen display of the esoteric touch inherent in the Go Rounds’ music. The first few seconds of the disc is nothing but a quickly building wall of cacophony, which cuts sharply into the soft sounds of Graham Parsons and his acoustic guitar sharing an intimate moment. Over the course of this track, the band’s collective ear and feel for music is made appearant: the sweet sounds of guitar and vocal harmonies being joined now and then with absolutely tasteful movements by the bass guitar and organ, only to be interrupted by swirling drums and slashing electric guitar chords, and finally an all out rock-out session for a few bars. Then, it’s back to that afore-mentioned wall of cacophony, until finally the band slips into an ultra-smooth Latin groove, with Graham’s vocals seemingly afflicted by a multitude of effects.

The second track again displays The Go Rounds’ absolutely masterful hand at arrangement. This particular tune comes complete with band hits and enough experimental sound to keep anybody happy. The third track is a bit more traditional (although it does have it’s moments), with a great deal of care towards the overall dynamic of the tune at all times. Professional is an understatement of these boys’ ability to perform, and at some points it’s difficult to believe that the whole thing was done live and on stage.

Track four sees the Go Rounds going high-powered and country-fried, with the drum’s rather sprightly-paced train-track beat driving this tune forward in a big way. Graham takes this opportunity to get a little grit in his voice and something off his chest, and the idea is absolutely not lost on the listener (well, this listener anyway). The guitar goes nuts, the bass goes nuts, the organ gets raunchy, and then all of the sudden the whole thing crashes in to what sounds like an audience. Hopefully nobody got hurt.

The fifth track is beautiful and atmospheric right from the get-go. At first, it’s mostly just Graham and his guitar (though Andy helps a bit with the organ), and then the band comes in, with just enough southern twang that the lyrics really sting a bit. Then the ‘beautiful’ gives way slowly for the ‘somewhat terrifying’ variety of atmosphere (best experienced through a loud and well-EQed sound system – preferably something with volume enough to make your ears bleed a bit), until the band comes in again and all is right with the world.

The final track begins on a rather hectic note, with strange mumbled vocals buried beneath sharp-edged guitar, screeching organ, and all multitude of interesting sounds. The thing builds and builds and builds and cuts to just vocals before really grooving a few bars. Then for the next stretch of territory there are tasty, smoothed out lows twisted up with vicious band hits. Rather an opus in it’s own right, the last track was my personal favorite (though I must admit it only beat the third by a small integer).

This album overall was a fantastic listen. if you like good music, you’ll love this album. I use the future-tense, of course, because this puppy has not dropped yet. It will tomorrow, though – The Go Rounds are having their CD release party at The Strutt. Music starts at 10, and this disc will be for sale. Plus, you get to see and hear the real thing, which really should be a good enough reason to go to begin with.

Day one of Back-to-back No Fun rockin’.

Last night it was a Monday night, and so it was rather absurd to have 40 people packed in a basement and head-banging to live music. Absurd is what No Fun House does best though, and everyone who was there could agree that it was a rockin’ time.

As Above, So Below played first. Or rather, As Above, So Below was supposed to play first, but they changed their lineup, changed their name (to ‘That’s Blood’), and brought the heat in a big way. Fast and heavy, with some technical and excellent guitar-work, and some pretty crazy sound-effects thrown in for measure, these guys were a great time. The only strike against them is that their set was relatively short (only about twenty minutes), but considering they were jumping in head-first with members of the band that had joined that day, I feel like it is a pardonable offense.

The first time DIT(K) booked AA,BA, the bill they were on got moved to a different venue and they were bumped off of it. The second time DIT(K) booked AA,BA, the powere failed at No Fun House and the show did not go on. This time, AA,BA didn’t even get to play, so in a way, we never did successfully book that band. That’s Blood is fantastic though, so I think I can live with the loss. Keep your eyes and ears open, because these guys are an act to catch.

The second set was also relatively short. It was relatively abrasive too, though, so it all worked out in the end. Bubonic Bear put on a hell of a show and had the front row rocking all the way out. Their music was loud, heavy, noisy, and furious, with this drum-and-guitar duo leaving a distinct mark in the atmosphere. The vocals were screamed, not sung, which is not something I’m to hip on (though when it comes to the crowd last night, I was in the distinct minority in that regard), but the music was excellent, the set was solid, and the energy was unparalleled. If Bubonic Bear makes their way from Philly again, I’ll check ’em out again.

Last but not least, local math-rockers Good News closed the night with a two-piece super-technical onslaught of moving melodies and precision drumming. This is the fourth time I’ve seen Good News, and they only get better with every show. They’ve got some dates upcoming at The Strutt, so keep your eyes peeled and check them out. You will not be disappointed.

Speaking of Upcoming shows, tonight marks day two of Back-to-back No Fun Rockin’, featuring Kalamazoo locals the Nue Spriyghts, Indiana returning champs Analecta, and Pennsylvania visitors Dead Horse. Lots of post-rock sound-scapes are to be had tonight, so if you’re in to good music, make sure you check it out.

Wondering what to expect at that strange venue you just booked? Check the facts.

One of DIT(K)’s very own, Tim Tapper of The Number Eight, has taken on a pretty laborious project – a service with the potential to be priceless to gigging musicians the country over. A forum, a blog, and a database of the various venues that book touring acts across the U.S.A. Enter VenueReview.

The concept is simple: When bands play bars, houses, and other venues on tour, there are idiosyncrasies that band members encounter which differ at every stop. Most of the time, kitsch and aesthetics is all one has to offer, but every once in a while there are important things to know. For example, it may behoove a visiting act to know that No Fun House is a basement in an old wooden house on a 1-way street, or that The Strutt has two stages.

VenueReview is there to arm the masses. There is a short guideline for formatting on the blogsite, with all the actual work being done on the attached forum. The forum is free to access and post to, and no account is needed, so you don’t have to worry about being on the grid, hippies.

You deserve to be warned.

If you have experience with venues anywhere in the US, throw up a review real quick. If you’re going to a venue and don’t know what to expect, throw up a review when you get back. Share the knowledge, share the site, and get this sucker moving, ‘cuz once it’s rolling, this project will be absolutely invaluable. I’ll be adding content presently.

http://venuereview.wordpress.com/

No fun at No Fun House this week

It’s a relaxed sort o week for a lot of DIT constituents, what with no shows going on at No Fun House for the next few days. Instead, general maintainence is being is being administered to all applicable structures and apparatus within the building – a venture that should prove to be copacetic for it’s inhabitants, which will in turn translate to a better show experience for everyone involved. I don’t have the numbers in front of me at the moment, but I assure you it’s all very official-looking, and had you a chance to glimpse them you would similarly have no doubts.

While a mandatory rest enacted at No Fun does cut down on shows held there, it doesn’t stop excellent shows from rolling through at The Strutt and other places. Tonight sees the Strutt hosting Eastern Blok, an excellently eastern-flavored acoustic jazz outfit. Then, later in the week, the same joint is holding a free show featuring technically-excellent math rockers Chinook and post-rock atmospherists Lights At Sea. Should make for an awesome and inexpensive Friday. No excuses on that one.

Saturday is the 4th installment of Kalamazoo’s own Shoegaze festival, aptly named Kalamashoegazer 4. Also at the Strutt, featuring a host of musical acts both local and from distant lands. Also guaranteed to be a good time, especially if you like to dance. We’ll have more on that later. But for now, check out the flier, then get out to some LIVE MUSIC and enjoy yourselves!

It goes without saying: You’d better be at The Strutt tonight.

A lot of good music comes out of Chicago. Every once in a while, that good music escapes Chicago and rampages across the United States (world? [universe?]). Tonight, such an event will be witnessed first-hand at Kalamazoo’s The Strutt, and it will be epic as all get-the-hell-out.

Tonight’s show will open with one of my personal favorite local bands: Grand Rapids-based 2-piece math-rockers Charles the Osprey. Super-technical guitar parts, super-technical drum parts, rockin’ groves, killer tone, and an astounding control of aural space combine to give this band a huge sound. in a word, they rock. In eleven words, they are one of the best bands of their kind. Period. I personally would make it a point to see this show even if CtO was the only band, but it only gets better.

From Kansas City – the birthplace of bebop jazz – comes something entirely different. The Life and Times are a rock-outfit that is absolutely epic. The way the instruments move around each-other and together at the same time is fantastic and fluid to a staggering degree, giving their music a smooth seam between it’s hard edges. Add in intriguing vocals and a little bit of flanger, and you have a winner.

Of course, the big reason to come out tonight is Russian Circles. Remember what I said about good music from Chicago? This is what I’m talking about.

Tix are 12 bucks, but that’s absolutely a good deal for the quality of music that you will witness. If you still can’t bring yourself to spend the scratch, then just consider it an investment. Trust me.

World Travelers touching down at No Fun House

Last night was a night of international-quality rocking, and that’s all there is to that. If you missed it, you missed out, and missed out big time.

The first band of the night was mOck, a trio of rockers all the way from Germany. They were finishing up the first leg of their international tour, and it was an absolute treat to have them stop over and play at No Fun.They had a flat tire on the way up, so there was a bit of a delay, but they finally got set up and in position around 10. When the amps came on, though, the sound was spectacular. Their riffs and runs were technical and precise, yet absolutely smooth at the same time, with the bass, drum, guitar outfit absolutely grooving over time changes that other bands tend to turn into hiccups. in the rhythm. These guys didn’t have time for that though. They were out to move a body, and move a body they did.

mOck had brought with them New Jersey-based Rapid Cities. Technical math-rock with interesting vocals over top. Not just any technical math-rock though. These boys knew how to play to a room, with every amp dialed perfectly. The overall sound was absolutely crisp and clean, and the actual performance was top-notch. As if to balance out mOck’s super-smooth time changes, Rapid Cities cut their off-time runs with the familiar hard-edge native to the genre. They were furious, tenacious, and strangely pop-sensible, with a certain common denominator that made their music more accessible than many other bands of the genre. if Rapid Cities makes it through again, make sure you catch them.

Filling out the night was Kalamazoo’s own War Dogs of the Pacific. Loud, fast, rockin’ punk with a message probably. It’s hard to tell with all the loud fast punk going on during a War Dogs set. These guys are a great show, though, with lots of energy and lots of volume. This may have been their last show for a while, though, what with their bassist leaving and all, so if you missed it, know that you may have goofed up pretty hard on this one.

There’s more music to look forward to this week though. Tonight you can catch some (and make some) noise at The Strutt, with noise rockers Boron Nuzzle, Dental Work, Nerfbau, Take Up Serpents, and Vertonen all coming out and rocking it. Then of course it goes without saying, but Russian Circles will be at The Strutt, along with a personal favorite Charles the Osprey out of Grand Rapids, and The Life and Times out of Kansas City. Things are lookin’ good for music here in the Zoo.

Workin’ The Corner: A night of rock at the Record Shop

Sunday was a good day to be at the Corner Record shop. 3 touring bands and one excellent local outfit came together to make everyone’s shopping experience a bit better – and a lot louder.

Opening the bill was Kalamazoo’s own Philly Crawlers. 4-piece pop rock with just enough strange harmonies and interesting lyrics to keep things fresh. This was an excellent performance, high-powered and entertaining as always, and a great way to open for the touring talent. Also, according to various mumblings through the crowd, it seems the Crawlers may have a record out very soon here, so keep your eyes and ears peeled for that.

next up to bat was the boys from Athens, OH: She Bears. An excellent and hard-working indie-rock band, She Bears have been on the road for over a month touring, and this was their last date on that rather hectic schedule. I’m glad they could spend it in Kalamazoo, as their show is extremely entertaining, with them playing one absolutely polished tune after the other. It’s no wonder they were just signed to Deep Elm Records. check  ’em out their music, and check ’em out live if you ever get the chance. You will not be disappointed.

The third group was InBirdsEye from Northern Indiana, and they rocked. Technical guitar parts, inventive drum parts, and a throbbing bass made for the perfect vehicle for InBirdsEye’s intriguing lyrics to ride. If these guys come around (and I’m sure they will), make sure you catch them, as they are a most excellent group.

The final presence of the night were math-rockers all the way out of Calgary, Canada: This City Defects. They set up all their gear, turned off all the lights in the joint, and started making some vaguely musical sounds. Soon the racket had grown into something that was very nearly overpowering, and then the silhouette of the lead guitar player bent down, a light flashed on, and suddenly it was madness.

Anyone who has any interest in math-rock either as a listener or a player needs to check these guys out. They were clean, fast, and veritably terrifying both as individual players, and as a band as a whole. Fortunately, they’ve got an open day on their tour, and they’ll be destroying the Strutt tonight with Lincoln County War and the Savina Brothers.. Check it out. Trust me.

Catching Slow Animals is as easy as hitting The Strutt tonight!

Wednesday nights are always interesting in one way or another. This Wednesday night is interesting in that a fantastic group, called Slow Animal, will be prowling the stage at The Strutt. How many bad puns can I squeeze in to one post? We’ll find out. Bad humor aside, though, these guys are great. They’ve got a big, borderline psychedelic feel to them that washes throughout, with some excellent soundscaping and high-energy guitar-work and strange but sweet vocal harmonies. Don’t take it from me though, check ’em out.

Playing the role of support will be two new local projects that don’t really have any recorded works out yet. The first is Andy Savina and Mark Thompson’s new Lifeplan, which, if you know anything about Andy and Mark, is sure to be killer. The second is some punk’s new project Saxsquatch and Bridge Band. One could call it fusion. One could also call it seat-of-your-pants improvisational music. One could, similarly, not worry about postulating and come see it first-hand. Either way, there’s really no telling what will happen in that set, so just suffice to say that some excellent musicians will be on deck to make some tunes occur.

It should be a fun show in any case. Slow Animal is coming all the way from Jersey, so come on down and show ’em how we do in the Zoo.