Category Archives: Editorials

No Fun House having no fun.

Hey all,

So on Monday the 11th, No Fun House (a show-house here in town since 2010!) experienced one of those tragedies that nobody ever thinks will happen to them. A fire started in the house and many of the inhabitants – all show-goers, supporters, performers, and even a founding member of this very website – lost not only their home in the short-term, but also a huge portion of their belongings.

This is an unprecedented post, but I feel that it is completely warranted given the nature of this tremendous adversity.

Please consider donating to this gofundme page and helping out a group of people who have worked hard and supported the Kalamazoo music community by performing, booking, and even hosting shows in their home.

Thanks y’all,

-Saxsquatch

The Aptly Named ALREADY DEAD FAMILY REUNION 4 – Day One – Milhouse/Satellite 9.24

As someone who has been on the periphery of involvement in Already Dead Tapes & Records, and in the Family Reunion, I have often felt that Family Reunion VS Festival is such a fitting title for the event. If your friends are your family, like so often is the case in my life personally, you may feel similarly. Many of the artists who have played this fest have a vested interest in Kalamazoo – they live here currently, they’ve played here, they’ve ADstickfound meaningful relationships here, and they’ve all been honing their craft for the year to showcase to you, and to the rest of the family/friends/aacquaintancesnewcomers in attendance.

But if you feel like you don’t know anyone on this list (and that might be true, this event focuses on some fairly unknown or under-praised artists) the structure allows for you to not even get to know some art you’ve never heard, but to get to know the people involved. This is what Kalamazoo does best and what keeps people coming here, the open mind about all sorts of music, and the openness to new people from near and far. Come meet the family – chances are it’ll actually be less awkward than an actual Family Reunion.

DAY ONE of ADFR will ease us in with a potluck gathering and (weather permitting) acoustic acts on the Milhouse porch (contact DITkalamazoo@gmail.com for address)

VICTORIA BLADE (Chicago) will showcase her talents for the first time as a solo artist in Kalamazoo. This former resident

AXEL QUINLAN (Kalamazoo) is an unsung hero of modern folk music, and there’s little chance you wont be taken in by his writing and steadfast presentation.

PLUS SHOW AT SATELLITE (starts at 9:00)

ARGERN (????) I can’t find anything about this artist, you’ll just have to come and see!

FORGET THE TIMES (Kalamazoo) are noise guitar/drums abstract expressionists .

DUMBELIEVERS (Kalamazoo) are highly hyped bizarre guitar

CELLULAR CHAOS (Brooklyn) a project of Weasel Walter of The Flying Leuttenbachers  that plays some of the best freakout jazz punk you’ve never heard or will ever hear.

Find more info about the entire fest at http://familyreunion.alreadydeadtapes.com/ / http://alreadydeadtapes.storenvy.com/products/8859087-family-reunion-3-day-pass (1 day passes available as well, but this is the best deal!) or stay tuned for more individual posts on DITK about individual days!

The Making of Maraj’s Voyager, By Andy Catlin

When we set out to make our first full-length album as Maraj, we had one simple goal: start and don’t stop until it’s done.  We are a new band with a lot of internal momentum, and a strong, but loose process: I write the music, Ben makes it better, Kam and Darius rap, and Sam sings the hooks. From the onset, we’ve had a natural sense of unity and liberty; a feeling that arose out of our diversity, drive to create, and primary focus on the groove. The following three months turned into the most prolific, focused, and fun period I’ve ever had as a producer and collaborator.

On our first EP, I wrote all of the music as I had in the past for other projects; I sat at the guitar or piano, wrote chords and melodies, then started arranging and overdubbing until it was time to write hooks and lyrics. I am devoted to creating a mix of organic and electronic instrumentation, respecting the feel and necessity of human time and error, but not denying the power of drum machines and precise “in the box” synthesizers. While I’m proud of the funk and hooks on the EP and the opportunity it gave us to become a unit, it lacked the multi-dimensional aesthetic that is a hallmark of my favorite producers from Madlib to Van Dyke Parks.

As I was working at Hillside Middle School this past spring, teaching kids about vinyl for the Gift of Music program, it became clear that the root of our next album would be my collection of world and novelty records I’ve collected over the years. When I compose on an instrument, as opposed to staff paper, midi, or a DAW, I often find my compositional choices are based on my physical habits as a player rather than exploration of and reflection upon the infinite possibilities of any musical moment. I made it a goal to make the melodic and chord structures based on samples, and to use performance to sweeten and enhance the framework created by the vinyl samples. I would take the role of translator as opposed to author. As weeks and months went by, I came to find that I was freer than ever to shape my musical aesthetic, and began to access grooves and sounds that I long attempted, but fell short of due to my limitations as an instrumentalist.

Those of you who sample know that the more you look, the more the connections start to reveal themselves, no matter how disparate the source material may be. The first beat I created for the album, “Two Trips”, features samples from Faust, Scott Joplin, Sons of Pioneers, and a Martin Denny exotica record. I can barely remember how it all came to be, but through intense focus and the action/reaction process of composing in the studio, everything fell into place. I took the half finished record to the Double Phelix and added pianos, guitars, Hammond organ, percussion, and Ben sweetened the vinyl drum breaks with a Roland 707. Often times, this process includes our incredible bass player, Joel Pixley-Fink, cutting funky live bass. Between April and July 2014, we went on to create about 15 more tracks along the same lines, ten of which have made it onto the final release.

All the while, as the beats became more complete, I was passing demos to Kam, Darius, and Sam to write hooks and lyrics. While I am a vocalist and contribute to most tracks, I amazed by the power of great vocalists and MCs to turn sound into concept and concept into content. When I hear a track, I hear microphones, instruments, chords, and grooves, while Kam and Darius are able to fluidly translate sounds into visions; a multi-tracked add 6 chord of Sam’s voice may be the rainforest, while a roomy piano trill may be the disillusion of a lover. From there we take an image, and we grow a concept; a rainforest feels free, freedom takes liberation, and we’re off. However broad a concept like ‘freedom’ or ‘time’ may be, the details and meaning of a Maraj song become clearer and more concrete as the voices enumerate.

Just as the disparate samples come together through an unspoken action/reaction, each vocalist found their place in the music, and helped form the concept by adding their unique perspective. The more we searched, the more options were revealed. Within in this framework, we were not only able to push our collaboration conceptually, but also play with our given roles as musicians and people. Our live vocalist turned full time member, Toro, started to spit verses, while Darius and Kam wrote more hooks.

This is not to say we got it all figured out or that we don’t have room to grow; the voyage of a musician is never ending. We certainly aren’t the first or the last to create in this style; we’re always connected to those who came before. While we’d like to sell some CDs and have people come to our shows, for us the inspiration and the payoff is in the process itself. Maraj wasn’t planned, it just happened. As we say on the title track, “Who do you trust, when the road just rolls out behind us?”

In a world that continuously grows more fragmented and polarized through absurdist media, technological dependency, institutionalized racism, and apathetic cool, music offers us a breeding ground for self-definition and universal understanding. Music is the language of the soul. We are overjoyed to have found each other at such a ripe time and hope our music can help spark new avenues of exploration and connection for others to build off of. Our ears are tired from months of post-production, but our minds are our racing, and this album leaves us with so much room to grow and discover as long as we continue to be ourselves, together, in the studio, having fun.

Maraj is: Andy Catlin, Ben Lau, Kameron Potts, Sam Cooper, Darius Greer, Julia Toro, and Joel Pixley-Fink.

VOYAGER is out today on CD and digital download through

Maraj.Bandcamp.Com

Maraj plays for free tonight, Sept. 12, at Louie’s Trophy House in Kalamazoo, MI. The show is free, 18+, and begins at 930pm. Fellow Michigan voyagers Ty Beat and MC Friendly support, with DJ Surge spinning throughout the night.

MarajCoolblue-2

Kalamazoo’s Newest and Oldest Venture – The KCAC

If you visit this site, you know Kalamazoo is a place for music. It’s not a place the big touring acts come to, it’s not a place with large venues and expensive tickets. But it is a place that fosters excellent and variable local acts, and brings small and up-and-coming touring acts from all over the world (yes, world).

And if you know this, you may also know the options as far as venues go – bars and basements. Though Kalamazoo has put together something wonderful using these spaces, the both come with their drawbacks and risks.

Something Kalamazoo has not had in many years, but does need and would use is a collective space. An all ages space run by the participants and not by business. A non profit space where people work to put on events, bring art to this small city, and make in accessible to everyone. In a town dictated by the college atmosphere, the bars are inaccessible to the younger residents of this city. And the basements are only accessible by word of mouth, and are risky endeavors that could easily disappear.

THE KALAMAZOO COLLECTIVE ARTS CENTER (or THE KCAC) is in line to add itself to the already excelling arts and music community. since 2008 many folks have come and gone on establishing this project. A new board has taken over to refresh, and they are showing tons of progress on making this idea a distinct reality.

Currently, The KCAC is in the fundraising stages of the project. you can check out their fundraising campaign here:

http://igg.me/at/thekcac/x/6857275

Please consider donating even just 5 dollars to this! If we do not do it together, it wont happen – Kalamazoo is a tried and true testament of this.

New Year – Big Plans – DITKalamazoo

Being that DIT is a loose collective, a malleable concept, and a bare-bones website, the way in which it functions frequently goes through changes. Depending on what people need or are interested in, the usefulness of the site changes, waxes and wains. This year we saw the site not only promoting house shows, but also workshops, poetry readings, and a few local venues became notable players in booking DIY bands. Where Kalamazoo steps up and does things with a bend on self-sufficiency, hopefully DIT is helping you hear about it. In spite of a drop in write-ups, the traffic on the DIT site is higher than any previous years!

One notable change that happens with each passing lease period, houses disband and new folks pick up the slack. We saw several major players in the house show scene close their doors. Fat Guy House, Victory House, The Black Lodge, and Touchdown City ceased activity, with folks moving onward and outward. Several other houses have dropped their booking significantly. We look forward to the new houses (and new venues, rumor has it!) springing up, as they are already beginning to, and what new they bring to the creative output here.

For the new year we look forward to some other small, positive changes for DIT. A revamped website is in the work, that will make community involvement easier to achieve. By making the site more user-friendly, and user-submitted content, we hope to get the word out on the great events our small city has to an even greater degree.

If you’re looking to get involved, the meetings will be occuring Sundays at 6:00PM at 611 w Cedar. You can also email ditsidebar@gmail.com if you have events you would like to be included on the site, but cannot make it to a meeting.

DIT KALAMAZOO – A Five Minute Documentary

Thanks so much to TisLiberte for the love!

In Regards to Recent Events

Last week, an attendee at a house show in the Vine Neighborhood was the victim of an unexpected and unprovoked attack. They were struck from behind with a blade, leaving deep cuts across the throat and behind the ear. A regular show-goer and friend to many in the community, they were lucky to make it out of this alive.

The attacker was someone who was not part of this community. While the person who was attacked was known by most attending the basement show that night, there was hardly a soul to be found that even so much as recognized the perpetrator. This heinous act was performed by an outlier, not someone who was representative of or even associated with the music community of Kalamazoo. As far as anyone can tell, the attacker was not even acquainted with the target of his assault. Fortunately enough, he was located and apprehended by the police shortly after fleeing from the house. He is currently awaiting a court hearing, and with any luck, justice will be served.

This attack happened amid a recent increase in violent crimes around the Vine Neighborhood. Multiple people have reported being mugged or assailed on the way to or from shows around town. But this instance was certainly unique among recent happenings in that it happened during a show, in the crowd, while a band was playing.

However, it is important to remember that this is still an isolated event and is by no means characteristic of the safe and open community we work to foster in this city.

It is an unfortunate truth that such dangers are permeating our community and it is imperative that we address it as just that – a community. We are in this together because we love music and we love this town and we by no means want to see anyone threaten what we love.

DIT members have already been discussing how to ensure the safety of our show spaces. For everyone that lives at a house that hosts shows, there are steps that can be taken which may not already be in place:

  • Coordinate with your roommates or friends in order to effectively monitor what is going on during the night.
  • Keep people posted throughout the house and stay in communication.
  • It is always helpful to maintain only one entrance point in order to see who is coming and going.
  • If you don’t know someone who turns up, extend a hand and introduce yourself. Make sure those in attendance know who is running the show and make sure you know who is in your house.
  • If anyone is exhibiting signs of strange behavior or is making you or anybody else uncomfortable, communicate this to others. Never be afraid to address this issue and tell somebody they are no longer welcome. This is your house and what you say goes.
  • Be prepared to take charge of a situation – this is your responsibility as the host of a house show.
  • Know that you are not alone. If you don’t have roommates or others willing to help you run a show, talk to DIT members – generally there will be at least a handful of us at any given show already.

We can all stand to be more attentive in the course of our show-going. Remember that the people you see attending, hosting, and playing shows regularly around here are your friends and your neighbors. Every one of us can play a part in maintaining a positive and inviting atmosphere at our shows, even in the face of this ugliness that has transpired.  But do make sure to watch out for yourself and do your part to watch out for those around you.

We have a thriving culture for DIY underground shows in Kalamazoo. This community is really an amazing, beautiful thing. A tremendous amount of work has been done over the years to not only provide music throughout our city, but to come together and be organized in our actions in a way that is unlike most other cities anywhere else. This is our strength. One incident of violence will not unravel that. We do not accept violence at our shows and we do not promote it any way whatsoever.

12/11: When A Lumberjack Falls In The Woods–High Dive, Our Lady, George Costanza, and Witchfingers @ Milhouse

When carousing on a Tuesday night in Kalamazoo, Michigan, some stroller-abouts might have trouble finding something “relatable.” More so if if they happen to be a straight, white, male.

You get weird looks in the bars, surrounded by hordes of glassy-eyes ogling your Levi’s and plaid, and all the restaurants have funny names for the drinks like “Rainbow Hobgobbler,” or “Jackie Gleeson’s Log Cabin Party.”  By golly it even seems like the way I wear the bristly spider hairs on my face becomes subject to public criticism; especially on Tuesdays.

It happens everyday. Taking over the music scene, too. Gays, lesbians, transexuals, transgender, all the Alphabet Soup Party members burst out the perfectly matched shutters, periwinkle closets, and checkerboarded picnic tables of the Vine Street Neighborhood, screaming and hollering indecipherable rants on “acceptance,” “tolerance,” “community,” and “identity” into the atmosphere, inevitably linking up to the hive minded stage over at the 411 Club also known as Metro.

Spinning off of these choruses and chasms is what can be considered “queer-core,”  what show-booker and house-venue operator Rory Svekric describes as a genre that askews “ ‘heteronormatively’ written” songs “that need to be fudged a little to be relatable.” They may or may not contain members of the overwhelming  majority that is the LGBTQA as well. That’s why she booked the Bloomington, Indiana queer-core pop-punk trio High Dive for her show tomorrow at Milhouse–and maybe for lead singer Toby Foster’s playful lisp, or the quick bursts of energy that surround their two-and-half minutes diddys about isolation, love, and suicide as angst ridden teens and twenty-somethings. Kissing boys is a major theme as well.

Who can possibly find themselves in these songs?

High Dive will be playing alongside the ever-changing power-pop-punk group Our Lady from Springfield, IL, and home-grown emo-indie acts Witch Fingers and George Costanza, the second of which may quite possibly be the most emo band name I’ve ever heard. Both of the home town groups share a spastic spittle ridden silliness in their sound, that in some way shape or form may be appealing those gruff young kids that have the same spastic spittle ridden silliness called angst.

Tomorrow night, Milhouse. 8:30 p.m. Donations for the touring bands would be more than tolerated.

Respect the house, respect the bands, respect the perspectives.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

12/9: Noise Noise Noise or, Get Off My Lawn–Rotten Wood Moon, Rapstar, Cathode Ray, and brick mower @Victory House

Rotten Wood Moon

noise

According to the googlebox, the most the news world of Kalamazoo has to say of “noise” is the new amendment passed by the Kalamazoo Board of Trustees to their previous ordinance. According to Emily Monacelli of mlive, “The Kalamazoo Township Board of Trustees voted unanimously Monday to amend the township’s noise ordinance to exempt noises sanctioned or conducted by governmental units, public or private schools.”

Seems the audibly blaspheming steps of children stampeding out to the hellish commands of the wailing banshee screech that is the recess bell outside the Reformed Heritage Christian School pushed one man to the brink of decency. The edge of mediocrity could not be dulled by their hedonistic cries of pleasure; damn well indecent that is. Faith against the system prevailed in giving those hellions a medium for their sickening, exasperating behavior.

In my experience, the 80’s era 3-way speakers, Panasonic tweeders satellites engineered for maximum noise blasting in a college living room consumed by piles of plastic like Born To Run, Shabazz Palaces, Broken Boy Soldier, Emperor X, all begin to echo bits of euphoria once analyzed for decibel content and carefully monitored by the blue men and women of the KPD.

Noise is a commodity to be given and controlled, like borrowing the salt from your neighbor to bake them a batch of green brownies; something to be shared naked, heaving, dazed and blurry-eyed. I harassed Dr. Herzog, an old friend recently tenured in the glass booth over at CVS, into slipping me a half-dozen scripts of noise for this growth on the side of my head, but upon opening my white-baggie all that sat at the bottom  was a 36 ounce tube of testosterone cream. Bastard mumbled something about “…not more than 50 decibels after 10p.m.” and retreated into the shelves to go calcinate some meth from the empty bottles of high-end cold-medicine. Or something like that.

After vigorously applying, one doesn’t usually notice a difference. And I haven’t, so that’s enough of that. Instead there some other folks trying to tell the young men and women of Kalamazoo how to responsibly enjoy their use of noise. Rotten Wood Moon, a recently resurrected group of musicians, will be headlining a noise-show over at Victory House Sunday night at 9 p.m.. Along with house-made-group Cathode Ray, and visiting noisemakers Rapstar, of Brooklyn, NY. I expect they will be making plenty of the stuff. Noise, that is.

It’s strong stuff, too. Made right in the living room or basement, filling up the hallways, it stinks of life–and it’s just as unstable. I’ll be damned if I know why there are any reasons to flock to these sorts of things, bashing on guitars, projections on the walls of empty hallways, lost-faces, dead dogs. The audience is likely to be in-corporeally surrounded by wails, drones, and chants that would drive fear into an Satan-loving man’s heart. Could hardly call the stuff music; sometimes sounds like jazz, meandering into rock, other times just instrumental spew–all of it a blatant disregard for the rules. I saw a  noise-freak once lay his electric guitar on the ground and start hammering away with his hands to the neck and body, summoning forth chords that the instrument wasn’t used to making in a performance setting. The audience just stared on like occultists monks, zoned out in a daze only replicated in the back-alley opium dens of Chicago’s Southwest side.

For their farce on Sunday they’ve even harassed some properly-performing punk band into playing with them–expanding the stuff to those that can’t handle the hard, ethereal, ether stuff and making it accessible for the Bouncing Soul types to get a hold of noise. I’d heard about the sleazy streets of New Jersey from a cousin who’d gone to Seton Hall, but I thought that brick mower, the group that is, might try to do their civic duty and keep it down. Their music doesn’t seem to reflect that standard of proper noise-making, instead traditionally following the lines of power chords and loud choruses, songs about sex and cigarettes.

Peddling expression to the creative youth like it’s something to be freely abused. It seems like 50db isn’t a marker of common decency anymore. First the children, now this–I’m going to start petitioning for a new ordinance. God knows what they might be teaching in that house.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

Respect the house. Respect the noise. Respect the self. Donate for the touring bands.

THE DIT(K) MANIFESTO

Over the years, DIT(K) has come under a lot of scrutiny from folks both near and far. Due in part to our contributions, Kalamazoo is a more recognized destination on the independent touring circuit than possibly ever before! Artists from all over the country and all over the world have been talking about how much fun our little community is! However, in this time we’ve also generated some confusion and misconceptions.

In this article, I’d like to explain what DIT(K) is, how we operate, our mission and how anyone can get involved!

Do It Together Kalamazoo started in early 2009 as a response to the growing number of local DIY shows and general lack of communication between the different folks setting up those shows. Ideas of how to accomplish this were thrown around for a while. Eventually we settled on the wordpress powered site we now occupy. Our goals then expanded from simply improving communication to also finding ways to get new people involved in the community, increasing show attendance and providing touring bands with an easy way to get booked. For a long time there were only 3-4 of us actively involved in running the site, keeping fresh daily content and checking dozens of emails each week.

DIT(K) can be described as a loose collective of promoters, musicians, and music lovers volunteering to help each other create a more collaborative, active, open, and safe arts community. We do not want to become some sort of governing body that regulates events. Instead we encourage anyone to get involved. Whether it’s booking shows, playing a show, putting up fliers, writing posts or even providing touring artists with food. Everyone is invited. If it ever seems like DIT has become biased on the type of shows being promoted, it’s simply because the people currently volunteering are working within their separate, personal interests. DIT is only as good as the people willing to help. That being said, we are constantly striving to be inclusive. Even if that means promoting events that our volunteers are not enthusiastic about. We do not write negative articles and never try to discourage attendance of a specific event. Every article at minimum attempts to accurately describe the artists performing and what someone can expect from attending.

Every genre of music is welcome. Our only stipulation is that shows covered generally fall in line with DIY ethics. This means that the musicians are playing purely for the love of their craft and of their community, and that promoters are volunteering their efforts with no goal of personal profit. Most of the shows covered are booked around touring bands, and often ones that have never played Kalamazoo before. Sometimes they even have no previous ties to the city. This is not intended as a critique of other types of shows. We simply feel that a broader spectrum of coverage would become muddled and be near impossible to manage. Also, historically there have been plenty of other events covered by organizations such as West Michigan Noise, Kzoo Music Scene, Kalamazoo Local Music, The Gazette and more. We simply try to focus on shows and genres that do not get much coverage from other sources. This includes basement shows, art spaces, punk shows, experimental shows and anything generally embracing Do It Yourself or Do It Together ideas.

DIT(K) can be contacted at any time via email at ditkalamazoo@gmail.com. However, we generally have only one person regularly checking the email and it can be very easy for things to get lost due to the ever increasing number of people contacting us from all over the world. The best way to to get in touch is by coming to one of our weekly meetings. These are held every Sunday, 5pm at 210 Allen Blvd.

Often, the local emails we get are from Kalamazoo artists wishing to get booked by DIT. Our goal is not to monopolize the booking in town and have all shows come through us. Rather, we want to educate folks so that ANYONE can set up their own show. DIT is more than happy to help in any way possible but we do not have the desire or manpower to be the ones setting up every aspect of every show. The idea is that EVERYONE can be a part of DIT(K).

We do not have a perfect system and are always looking for ways to improve. The sum of DIT(K) is only as good as it’s parts. If you see something missing, then by all means join in and fill the void. The members of DIT only want to see Kalamazoo continue to cultivate the best arts community possible. We want people of all ages to feel welcome at shows. We want to see people throwing a show and then going out the next day to put up fliers for their neighbor’s show. We want to see 100 people come out and support a touring band they’ve never heard of before. We want to see punk, folk, metal, noise, hip hop, electronica, rock, jazz, bluegrass and pop all in the same week (or in the same show). We want everyone to DO IT TOGETHER!

For better ideas of how to get involved and keep DIT(K) balanced and thriving, please come to one of our meetings. If your schedule doesn’t allow, please email us with any questions or thoughts. If you don’t get a response right away, please don’t get discouraged. We’re trying! There is also a wonderful online zine that has been created by the folks over at dodiy.org with step by step guides on how to set up your own shows and become an active part of your community. We’ve got plenty of great touring bands looking for shows and need all the help we can get!

-Sean Hartman