Category Archives: Upcoming shows!

When, where, who, and how much. The four questions that everyone really wants answered in life.

In Kalamazoo, We Like Both Kindsa Art 12/15

The Corner Record Shop is trying their hand at being an Art hop venue. Or at least they would if they weren’t so far off the beaten path to be considered for the actual Art Hoppenings. However, to turn this bummer into a good thing, they’re hosting a similar sort of deal in the middle of the month!

Some Sid

This time around, they will be exhibiting the visual works of local Sid Redlin. Sid creates warped, intense and sometimes very large paintings, which will fit well with the musical stylings of:

Forget The Times (your local one-stop-shop for all things guitar driven noisy improv)

Brown Company (Newcomers featuring oldschoolers who really know their stuff when it comes to heavy, gutsy psychrock)

Saxsquatch Experiment ( Experimental saxy honks)

This show is FREE! But of course line your pockets with dough to take some records home. There will also be free wine and snacks provided, just like Art Hop! Showing all day, music at 9PM.

12/14: Folk You – Cold Mountain Child, Elisabeth Pixley-Fink, & Lobo Marino.

It’s the weekend. Maybe you just got out of work. Maybe you just got done with finals. Maybe you’re thinking about hitting the bar, or a coffee shop to get head start on work. Regardless of what your week looked like, your ears need rest.

Look no further on this fine Friday night, because No Fun House is hosting the folk artists your ears need.

Cold Mountain Child is a collaboration between Tyler Bradley and David Spalvieri-Kruse, and after a few years the duo expanded into a full band. While the duo paint minimalist soundscapes through piano and guitar, their live ensemble includes a drummer, a bassist, a violinist, and a vocalist providing harmonies. After releasing a full length album and an EP, look for their new double album soon, or click here for a free download.

The local artist Elisabeth Pixley-Fink grew up exploring the depths and range of her voice, finding its way into her current songs. She has earned herself a name among the state’s populace, collaborating with musicians from Breathe Owl Breathe, the Red Sea Pedestrians, Fiona Dickinson, and many, many more. Seeing her perform live becomes a unique participation between audience and performer, and she often plays outside. In fact, she toured from Minnesota down to Mexico via public transportation where she collaborated with artists in Mexico City. Pixley-Fink was awarded with the competitive Artistic Development grant by the Kalamazoo Arts Council this past April in order to support her upcoming album.

While there is no cover charge at house shows, please bring money for our touring duo, Lobo Marino. Members Jameson Price and Laney Sullivan created this group after encountering “el lobo marino,” the Patagonian sea lion, during their spiritual travels spent in South America for a year. Lobo Marino released their most recent album this past June, which was recorded in front of an audience.

lobomarino

These artists love the live music experience, and you live in a city that is a gold mine for music. Situated between Chicago and the Detroit, Kalamazoo gains many touring artists, along with the bounty of local artists help create shows every night. According to the Atlantic, Kalamazoo ranks number eight (8) in terms of the “concentration of musicians and music-related businesses.” Compare Ann Arbor at 40, or even Albany, New York at 14.

This is going to be a special night, spent in a special city, during a special season.

You know the drill: respect the artists, respect the audience, respect yourself. Contact ditkalamazoo@gmail.com for location, questions, and inquiries.

12/11: When A Lumberjack Falls In The Woods–High Dive, Our Lady, George Costanza, and Witchfingers @ Milhouse

When carousing on a Tuesday night in Kalamazoo, Michigan, some stroller-abouts might have trouble finding something “relatable.” More so if if they happen to be a straight, white, male.

You get weird looks in the bars, surrounded by hordes of glassy-eyes ogling your Levi’s and plaid, and all the restaurants have funny names for the drinks like “Rainbow Hobgobbler,” or “Jackie Gleeson’s Log Cabin Party.”  By golly it even seems like the way I wear the bristly spider hairs on my face becomes subject to public criticism; especially on Tuesdays.

It happens everyday. Taking over the music scene, too. Gays, lesbians, transexuals, transgender, all the Alphabet Soup Party members burst out the perfectly matched shutters, periwinkle closets, and checkerboarded picnic tables of the Vine Street Neighborhood, screaming and hollering indecipherable rants on “acceptance,” “tolerance,” “community,” and “identity” into the atmosphere, inevitably linking up to the hive minded stage over at the 411 Club also known as Metro.

Spinning off of these choruses and chasms is what can be considered “queer-core,”  what show-booker and house-venue operator Rory Svekric describes as a genre that askews “ ‘heteronormatively’ written” songs “that need to be fudged a little to be relatable.” They may or may not contain members of the overwhelming  majority that is the LGBTQA as well. That’s why she booked the Bloomington, Indiana queer-core pop-punk trio High Dive for her show tomorrow at Milhouse–and maybe for lead singer Toby Foster’s playful lisp, or the quick bursts of energy that surround their two-and-half minutes diddys about isolation, love, and suicide as angst ridden teens and twenty-somethings. Kissing boys is a major theme as well.

Who can possibly find themselves in these songs?

High Dive will be playing alongside the ever-changing power-pop-punk group Our Lady from Springfield, IL, and home-grown emo-indie acts Witch Fingers and George Costanza, the second of which may quite possibly be the most emo band name I’ve ever heard. Both of the home town groups share a spastic spittle ridden silliness in their sound, that in some way shape or form may be appealing those gruff young kids that have the same spastic spittle ridden silliness called angst.

Tomorrow night, Milhouse. 8:30 p.m. Donations for the touring bands would be more than tolerated.

Respect the house, respect the bands, respect the perspectives.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

12/9: Noise Noise Noise or, Get Off My Lawn–Rotten Wood Moon, Rapstar, Cathode Ray, and brick mower @Victory House

Rotten Wood Moon

noise

According to the googlebox, the most the news world of Kalamazoo has to say of “noise” is the new amendment passed by the Kalamazoo Board of Trustees to their previous ordinance. According to Emily Monacelli of mlive, “The Kalamazoo Township Board of Trustees voted unanimously Monday to amend the township’s noise ordinance to exempt noises sanctioned or conducted by governmental units, public or private schools.”

Seems the audibly blaspheming steps of children stampeding out to the hellish commands of the wailing banshee screech that is the recess bell outside the Reformed Heritage Christian School pushed one man to the brink of decency. The edge of mediocrity could not be dulled by their hedonistic cries of pleasure; damn well indecent that is. Faith against the system prevailed in giving those hellions a medium for their sickening, exasperating behavior.

In my experience, the 80’s era 3-way speakers, Panasonic tweeders satellites engineered for maximum noise blasting in a college living room consumed by piles of plastic like Born To Run, Shabazz Palaces, Broken Boy Soldier, Emperor X, all begin to echo bits of euphoria once analyzed for decibel content and carefully monitored by the blue men and women of the KPD.

Noise is a commodity to be given and controlled, like borrowing the salt from your neighbor to bake them a batch of green brownies; something to be shared naked, heaving, dazed and blurry-eyed. I harassed Dr. Herzog, an old friend recently tenured in the glass booth over at CVS, into slipping me a half-dozen scripts of noise for this growth on the side of my head, but upon opening my white-baggie all that sat at the bottom  was a 36 ounce tube of testosterone cream. Bastard mumbled something about “…not more than 50 decibels after 10p.m.” and retreated into the shelves to go calcinate some meth from the empty bottles of high-end cold-medicine. Or something like that.

After vigorously applying, one doesn’t usually notice a difference. And I haven’t, so that’s enough of that. Instead there some other folks trying to tell the young men and women of Kalamazoo how to responsibly enjoy their use of noise. Rotten Wood Moon, a recently resurrected group of musicians, will be headlining a noise-show over at Victory House Sunday night at 9 p.m.. Along with house-made-group Cathode Ray, and visiting noisemakers Rapstar, of Brooklyn, NY. I expect they will be making plenty of the stuff. Noise, that is.

It’s strong stuff, too. Made right in the living room or basement, filling up the hallways, it stinks of life–and it’s just as unstable. I’ll be damned if I know why there are any reasons to flock to these sorts of things, bashing on guitars, projections on the walls of empty hallways, lost-faces, dead dogs. The audience is likely to be in-corporeally surrounded by wails, drones, and chants that would drive fear into an Satan-loving man’s heart. Could hardly call the stuff music; sometimes sounds like jazz, meandering into rock, other times just instrumental spew–all of it a blatant disregard for the rules. I saw a  noise-freak once lay his electric guitar on the ground and start hammering away with his hands to the neck and body, summoning forth chords that the instrument wasn’t used to making in a performance setting. The audience just stared on like occultists monks, zoned out in a daze only replicated in the back-alley opium dens of Chicago’s Southwest side.

For their farce on Sunday they’ve even harassed some properly-performing punk band into playing with them–expanding the stuff to those that can’t handle the hard, ethereal, ether stuff and making it accessible for the Bouncing Soul types to get a hold of noise. I’d heard about the sleazy streets of New Jersey from a cousin who’d gone to Seton Hall, but I thought that brick mower, the group that is, might try to do their civic duty and keep it down. Their music doesn’t seem to reflect that standard of proper noise-making, instead traditionally following the lines of power chords and loud choruses, songs about sex and cigarettes.

Peddling expression to the creative youth like it’s something to be freely abused. It seems like 50db isn’t a marker of common decency anymore. First the children, now this–I’m going to start petitioning for a new ordinance. God knows what they might be teaching in that house.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

Respect the house. Respect the noise. Respect the self. Donate for the touring bands.

12/8 – Fever Haze, Brown Cow, Lost in Translation, Fossil Eyes @ The Courthouse

The Courthouse is wrapping up December, and the year, with an awesome line-up.  We’re doing it just because we love you all so much.  There’s sure to be a lot of good times and, more importantly, good music.

Give the links below a listen

Bring donations

See you at the show!

 

Fever Haze – From Holland, MI – Soul-infused low-fi rock, out of the garage and into the basement for our listening pleasure

http://www.facebook.com/thefeverhaze/app_204974879526524

Brown Cow – a steady, lyrical folk-rock with an angry, insightful attitude; don’t worry, it will make you feel just fine

http://browncowtunes.bandcamp.com/album/this-is-vinyl

Lost in Translation – Here to create live music in real time, a Kalamazoo instrumental trio that synthesizes a variety of styles into one monumental jam

http://lost-in-translation.bandcamp.com/

Fossil Eyes – Kalamazoo post-hardcore, with all the melodic progressions and insane power-vocals you’re dying to hear

http://fossileyes.bandcamp.com/

Respect the Bands.  Respect The Venue.  Respect Each Other.

Saturday Night – Everyone and Their Empty Cups to release new album, ‘Mechanically Separated Children’

empty cups

Jon Follet, Kalamazoo music staple-turned visiting Portland resident, is back in town for a proper CD release at Touchdown City this weekend. A handful of years back, Follet started performing as a solo musician under the name Everyone and Their Empty Cups. Eventually this project evolved into a full-fledged three-piece rock and roll machine that hearkens back to other such 90’s three-piece rock and roll machines as Nirvana and Modest Mouse*.

Joining them for the album release celebration will be a couple acts sharing members of Empty Cups; Blank (which bassist Mark Heyboer recently took over on bass duty for) and The Wrap (the long-running hip-hop project of drummer/sex-demon Gabe Hovey); as well as Koster and The Pork Rinds, which is, as far as I know, a relatively new Kalamazoo act.

The show is guaranteed to rage in all the best ways that Kalamazoo basement shows are known for and this may be the last time you get to see Everyone and Their Empty Cups for a good while. Bring a few bucks and pick up a copy of Mechanically Separated Children, the long-time coming fruits of these boys’ labors.

Facebook event

*Modest Mouse was totally and officially only a three-piece for a number of years, many of them being during the 90’s. Count it!

WIDRAMA Kicks Off 12/7

WIDR fm, Kalamazoo’s local college/community radio station will be bringing a monthly local showcase to the 411 club. WIDR has hit some hard times, as much of their funding from WMU has been cut. To help supplement this loss, they’re doing rad stuff such as this!

This show will feature The Reptilian who have recently returned from a tour in the UK, and will likely be bringing fresh tunes as well as old favorites.

Also newer to the Kalamazoo scene, Onn will be bringing their brand of heavy, intricate, techincal rock.

Finally, Totally Rad – Kalamazoo’s finest lo-fi, twee, surf band will be making an appearance.

Doors open at 9, show starts at 10, and will have a 3 dollar minimum donation (for the good cause that is local radio that does not suck).

12/4: The Reptilian, Edhochuli, Ronnie Dobbs, and Lost in Translation @ Milhouse

My days may be numbered, but I’m bad at math. When I feel bad at math I wear my headphones and listen to math rock.

A particularly dense genre, math rock is filled with unconventional time signatures and complex rhythms, though the intertwining melodic phrases holds a listener in place. Culminating during the ‘90s in urban music centers such as Pittsburg, Washington D.C., and L.A., math rock found itself a name through a combination of its atypical meters (for example, 7/8, 11/8, 13/8) and the exploration of sonic textures through layering guitars.

It’s a genre that becomes more rewarding upon repeated listenings. Curious? Come to Milhouse on the 4th for local and touring “mathy” bands.

milhouse124

Four different bands for your enjoyment. We have The Reptilian, who might be a familiar name to you folks. They’re playing more shows later in the week, so keep yourself posted on DIT updates.

As a special treat, Edhochuli travels from the far away land of Pittsburg, after riding the Interstates for about three months. Be sure to familiarize yourself through their bandcamp, as their music is heavy, their singer is intense, and their guitars are loud.

From Chicago we have Ronnie Dobbs have been touring with Edhochuli. Take a look at their bandcamp too, as any band name alluding to the TV show “Mr. Show” deserves it. Ronnie Dobbs employs similar complex rhythms as Edhochuli, but they offer surprises in terms of melody and dynamics. You can find a track titled “Bong Iver” off the link. That wasn’t a typo. Give them a look and a listen.

Lost in Translation is another local Kalamazoo group, and while they fit in the math rock genre, they also provide more groove for the average listener. Three guys who know how to jam well, their fluctuations in rhythm will pull you in. They’ll make your feet move too.

Our days may be numbered, but what better way to spend them than watching math rock musicians. Please bring a few dollars to Milhouse for the touring bands.

Respect the bands, respect the music lovers, and respect yourself. Respect math.

12/1: Double Felix produced peace-jams to wobble-about Kalamazoo Peace Center; Lasso, del Brutto, and Mike Savina

"...except that one scruffy musician, you know, the one that drinks beer"

“All are welcome…even scruffy musicians!”

Western’s Wesley Foundation seems to be the hosting-site for all sorts of acoustic assemblies lately: both the punk-show held last month, and Saturday night’s Double-Phelix themed Peace Phest at 8 p.m., both hosted by the folks of the Kalamazoo Peace Center. Usually the college’s hub for the United Methodist Ministry, the KPC uses the Wesley Foundation and such events to minister doses of green-sense  to the college-aged populace of our fair city; a perusal of their website reveals showings of Gasland, If A Tree Falls, and various public announcements against corporate tyranny. On the website there is even some attention thrown towards the ECO anti-frackers that were being legally lionized over at the Stabbin’ Cabin Friday–but that’s just a distraction. Saturday’s festivities, just like Friday night’s, are all about the fundraising–or merely about fund raising, as there is a suggested donation of five dollars to go towards continuing such activities.

As for the music, it’s regional with a spit of local flair–flavor provided primarily by production/ musical rotating cast Double Phelix Studios. del Brutto, the blues psycho folk sounding fellows from Ann Arbor playing Saturday night, had their recent album Greenhorn produced by Andy Caitlin over at the studio behind Black Owl. The result is garage sound filled with notes of a tin-rattling blues-guitar and a vocal style akin to the maddening rambles of the Jon Spencer Blues Explosion. Sounds like it could be playing in someone’s back porch somewhere with Christmas lights and stuffed hunting prizes, through a lo-fi microphone. Good for the blurry-bar romp, or the exhalation of twitching music nerves. Mike Savina of the Double Phelix collective is also slated to join the group for some added mellow melodies.

Lasso, Andy Caitlin’s solo-soundtrack-western-project, will be providing the other half of the Double Phelix themed performances Saturday night. Like Ennio Morricone bumping into the medicine cabinet and tripping on some smooth Valium (although the metaphor is ruined when realized it isn’t a psychedelic.) Though tomorrow seems to be calling for the 8-piece collective effort  it can be hoped that the goofy, plunking piano, and moseying guitar that seem so aware of the genre Lasso is emulating,satirizing, and ultimately will remain the premise and fun of the project, and in-turn the performance will be just as endearing. Lasso’s newest EP  Lasso, Arizona was released this past Wednesday:

Wesley Foundation is right across from the Flagpoles of Western University, the pinnacle of the hill–or for more tech savvy users just use this address (2101 Wilbur Ave.,  Kalamazoo, MI 49006) with Google Maps.

Respect the venue, respect the bands, and mayhaps donate a few dollars for less broken bones around the world. Or least in Kalamazoo.

ECO-Defense Fundraiser Show! Stabbin’ Cabin 11/30

This Friday, the Stabbin Cabin is hosting a benefit for the legal fees of some local environmental activists. Hailing from Grand Rapids, we have punk rockers The Amoebas and Protected Left. They’ll be joined by four local acts: the fast-paced basement punk of Abortion Survivors; Tim Tapper’s minimalist folk rock; self-proclaimed “spazzy punks” Anybody But the Cops; and Endangered Feces. Suggested donation $5—it’s for a good cause!

Two people from Kalamazoo and four from Grand Rapids have been arrested for protesting the DNR’s Mineral Rights Auction, where the state of Michigan sold the rights to extract natural gas using the destructive technique known as fracking. Please come out to support our friends who have fought to protect our state from this highly polluting practice, and enjoy a great night of excellent local music!

Listen to the bands here:

http://www.myspace.com/wearetheamoebas

http://protectedleft.bandcamp.com

http://www.myspace.com/abortionsurvivors/music

http://soundcloud.com/tim-tapper

http://anybodybutthecops.bandcamp.com/

Donate to the legal defense fund here:

http://lansingstopfrackingfund.chipin.com/bail-money-to-stop-fracking