Summertime Rock At The No Fun House

Tomorrow night! No Fun House will be hosting two amazing ambient rock touring bands and one even more awesome local! What better way to spend a hot summer night then in a cool basement listening to some chilled out bands?

We’re Wolves – Jon Folet’s new indie rock band. Passionate vocals and groovy lo fi guitars. Think early Modest Mouse. Last time they were scheduled to play the house, the weather decided it couldn’t handle their awesomeness and shut our power off. That’s how good these guys are.

P. D. Wilder – Super droney ambient guitar layers that will make you feel like you’re drifting on a sea of music.

Summer Of Glaciers – Electronica meets Post Rock. As if Mogwai collaborated with M83. Totally rad. Check the video below for an idea of what you can expect.

9pm no punk rock time
$2 for the touring bands

Free show tonight @ The Strutt! Graham Parsons and the Go-Rounds!

Tonight at The Strutt, Graham Parsons and the Go-Rounds will be performing a free show. This is the test-run for their live-album which they’ll be recording tomorrow, also at  The Strutt, also for free. It’s gonna be an excellent show, so if you got nothing going on tonight or tomorrow, and want to catch one of Kalamazoo’s best bands, check it out.

Good News!

Our friends over at Kalamazoo Noise snagged some cool footage of local math rockers, Good News live at the Koffee Klutch. Dig.

If you like this, be sure to come see them at No Fun House on July 30th with And I Was Like, What? and Fox & The Law.

Show Review – Psyched Out at the Strutt 7/8/10

On July 8, Ann Arbor’s Nathan K brought his signature honesty and precise finger-picking to a Kalamazoo audience at the Strutt. Nathan’s songs have a certain feel to them; kind of like driving away from someone you really love, and thinking about why you love them.

Fiona Dickinson made everyone stop in their tracks, beers half lifted to their lips, necks craned to to see where this sound could possibly be coming from. Accompanied by an all-star band of locals, Fiona’s spacey folk grew into a cloud of strange and unsettling emotion that was at once familiar and mysterious. All we knew was that it was beautiful, and we wanted to be close to it.

The Mind Death Quintet slowed things down a bit and turned each chord into a multi-layered wave of swirling sound. Jeremy Ruggles‘ voice floated over the top, like Gene Wilder in a room full of psychedelic candy, re-assuring listeners that it was all right to keep walking further into unknown parts and pleasures. I haven’t felt this way since I had that nervous breakdown at that Pink Floyd laser light show in 1999. Just kidding. But seriously.

p.s. I had the pleasure of making the flyer for this event. If anyone wants me to design flyers for their show, it’s only $10! Shoot me an email at james.r.duke@wmich.edu and tell me what you’re looking for.

When the whole house is rockin’, check your coat at the door, ‘cuz we certainly can’t hear you.

No Fun House did it again.

Having personally worked the door, I can say without doubt that there were 50 people in that basement, rocking out and having an excellent time to two visiting bands, plus some wacked-out experimental quartet that I don’t know anything about. If you missed it, you missed out, so keep your eyes open for the next one.

I can’t say much about the quality of the opening act (on account of I was in it), but I can say that we’re called Forget The Times, we’re local (represen’in’), and we like weird noises. Sean Hartman, Peter Cook, and Benji Puppies (all DIT associates) are the three-guitar army of sorts, then there’s some punk-sissy on a drum kit. We’ll be around, so keep your ear to the ground if something like that interests you.

Next on the bill was Sohns, a most excellent high-octane super-charged rock group from San Antone, Texas. Fast guitars, technical drums, high-pitched vocals and -volume- made this group a sight to hear. From my seat in the back of the room at the doorman’s post, all I could see was a bunch of hot and sweaty bodies rockin’ to the sounds of what I can only assume was a class-A example of a Texan Friday night (except on a Wednesday, and in Michigan). What I heard, though, is best described as an unrelenting musical assault a-la rock-n-roll. If Sohns makes it back through the Zoo, you can bet good money I’ll be there to see it.

Third and finally, Northern Indiana put Analecta on loan for the night. They were fantastic. While not quite as spastic and sharp-edged as Sohns proved to be, they were just as loud, trading in the cut and scream of righteous electric guitars with strong melodic concepts and a pleasing aural resonance that had me, personally, leaning back with my eyes closed. The three-piece cites both Russian Circles and Explosions in the Sky as influences, and that is about as close to home as one can get. These post-rockers are another must-see, and with Indiana only being a short jaunt away (you gotta go down there for your cheap cigarettes and fireworks anydangway), it shouldn’t be too hard to catch ’em real soon.

Tonight there’s a few things happening, what with Emilio Festivez tearin’ down No Fun, and The Strutt playing host to Fiona Dickenson, Jeremy Ruggles (and the Mind-Death Quintet), and Nathan K. Slide by both if you get a chance. Or pick one. Either way, and whatever your flavor, you ain’t got no excuses to stay home tonight.

An intense mix.

For one night, and one night only (lies), the No Fun House presents Analecta, Northwest Indiana’s finest (and perhaps only?) post rock ensemble coupled with Texas’s own noisy and spastic troupe, Sohns. Left field local support is being provided by Kalamazoo’s brand new Forget The Times.

Pictures are most definitely worth a thousands words, and a quick browse of Sohns’ myspace album will tell you that these guys put on one hell of a show. Those images, plus the fact that they cite their only influence as Small Brown Bike, should spark interest.

Analecta position themselves on the opposite end of the spectrum with a more Explosions In The Sky-esque sound. Quoted as being “a great blend of agression and restraint”, this group will lull you into a calm state one moment, then will progress into a deeper and more powerful sound the next.

Forget The Times has never played a show and has no internet presence at all. However, it can be cited that they are a new project featuring Sean & Benji from Rotten Wood Moon and Peter from The Philly Crawlers. Three guitars + vocals that may or may not be run through a PA. Not for the faint of heart.

Missing a mix like this would be detrimental to your health. This wednesday, July 7th. No Fun House. Show starts 9pm. $2. Be there.

A Busy Weekend (Boiling Pot Boiling Pot Boiling Pot)

It was a hot, sweaty, humid, good music sort of weekend, which is probably one of the best sorts of weekends, really. The Strutt and the IDEA Association played host to a most excellent display of Michigan’s modernist culture in art, clothing, beer, and – most importantly – music. That’s right, Kalamazoo’s Boiling Pot Festival was the order of the day for a large group of people this Saturday and Sunday, with a variety of local artists sporting their wares, and a variety of mostly Michigan-based musical groups rocking the entirety of Downtown.

I spent my Sunday not only getting the chance to play what, in many people’s opinions, is the Festival of the summer so far in town, but also enjoying the atmosphere of great music, good food, and a sea of friendly faces who were all sweating together (my personal favorite band Sunday being Prussia. They have free albums to download, so check it). If you missed it, then know that you missed something special. If you didn’t miss it, count yourself lucky, and spread the word, as I know the powers that be are already looking towards next year.

The rest of the week is similarly packed, with flavors enough to appeal to any and every person’s particular sort of palate. Tomorrow night, the No Fun House is playing host to Sohns and Analecta, which is right up your alley if you dig on anything math or post rock.

Thursday there’s a bit of a competing event thing happening, with No Fun’s Emilio Festivez coexisting with Nathan K., Fiona Dickinson, and Jeremey Ruggles‘ new project, the Mind Death Quintet at The Strutt.

Friday night, local jazzers the William Wengers will be rocking out at the Craftsman Chop Co. in Portage on Sears Drive, so if you feel like kicking back and enjoying a bit of live jazz, come on down and kick.

Paleo, Cold Mountain Child, Gitis Baggs Cool It At the Strutt

On July 5, the Strutt was full of warmth. A handful of inspiring and calming musicians played some music that made the thick humidity of the evening seem almost magical.

Gitis Baggs and friends plucked and puckered a few alt country and rock n roll numbers with gusto and wit, nailing those harmonies too.

Paleo has been a touring musician for the past five years nonstop. My friend John Van Hattum summed up the sound this way: “bedtime stories for older children.” It was great and I accidentally bought a whole bunch of music.

Cold Mountain Child brought home their blankets of soft guitars and pastoral vocals. We’ve missed you guys here in Kalamazoo. Thanks for being such a centering expression of peace for me.

The Universe and Dr. Kaiser do the Cosmic American Music dance

Produced by Andy Catlin of Strutt Studios and released on the Strutt Records label, The Universe and Dr. Kaiser is a highly decorated affair featuring a wide cast of Kalamazoo musicians contributing a vast array of instrumentation to the focused and concisely written songs of Grant Littler (whether he is Dr. Kaiser or the Universe or something else altogether is unclear), making this record both catchy and trippy, never muddled by the high quantity of sounds surrounding the tunes.

The record opens with the titular track, fading in with a thick but gentle sheet of breezy sonic wash which comes and goes in various shapes and sizes throughout the entire record.  This smoothly transitions into a mellow song with a pleading melody and metaphysical, perhaps even cosmic, lyrics.  The following number, “Whirrings,” follows in similar fashion to the opener, but a big curve ball is thrown with the distorted country rock riffs and down home, done wrong lyrics of “Tight as a Can”, with a scorching electric “geetar” solo to boot!

“Sales Convention ’88” goes further into unpredictability with a creepy, manipulated spoken word intro, only to shift into a pretty song with lyrics that, while cryptic, are sang very personally and passionately, injected with a genuine sense of loss and longing.

Julia Toro steps up to the mic on “When You Hold Me” with a pop melody for the ages.  Prominent pedal steel pushes things further into the country western leanings that are present throughout the record.  The next piece, “Georgia Honey Roll”, is the most stripped down and subdued moment, staying almost entirely in acoustic guitar territory with cello and synth occasionally joining. It is here that Littler finds a simple but slightly haunting melodic vocal hook that feels as though it’s been waiting to be discovered for a long time.

The album ends with “Chain”, a piece which fully blossoms into the highly drawn out, spacious ambience that the entire record has threatened to do all along yet was always reined back in by Littler staying song-focused.  At this point, it’s a welcome trip-out to conclude a strongly crafted and executed batch of ditties brought to us by some of Kalamazoo’s finest.

Musicians appearing on The Universe and Dr. Kaiser:

Grant Littler – guitar, voice

Andy Catlin – keyboards, clarinet, voice, drums

Graham Parsons – voice, lap steel

Julia Toro – voice

Adam Danis – voice

Tod Klosterman – bass

Bill Winks – pedal steel

MW – moog, BirdWind tape

Fiona Dickinson – cello

Matt Maier – electric guitar

Mike Savina – tambourine

More Boiling Pot Boiling Pot Boiling Pot Boiling Pot

Sam gig as yesterday: different bands, live music from noon until the cows come home. Check it out ladies and gentlemen.

See all you folks down there. Let’s kick it.