Tag Archives: dit kalamazoo

Kalamazoo’s Newest and Oldest Venture – The KCAC

If you visit this site, you know Kalamazoo is a place for music. It’s not a place the big touring acts come to, it’s not a place with large venues and expensive tickets. But it is a place that fosters excellent and variable local acts, and brings small and up-and-coming touring acts from all over the world (yes, world).

And if you know this, you may also know the options as far as venues go – bars and basements. Though Kalamazoo has put together something wonderful using these spaces, the both come with their drawbacks and risks.

Something Kalamazoo has not had in many years, but does need and would use is a collective space. An all ages space run by the participants and not by business. A non profit space where people work to put on events, bring art to this small city, and make in accessible to everyone. In a town dictated by the college atmosphere, the bars are inaccessible to the younger residents of this city. And the basements are only accessible by word of mouth, and are risky endeavors that could easily disappear.

THE KALAMAZOO COLLECTIVE ARTS CENTER (or THE KCAC) is in line to add itself to the already excelling arts and music community. since 2008 many folks have come and gone on establishing this project. A new board has taken over to refresh, and they are showing tons of progress on making this idea a distinct reality.

Currently, The KCAC is in the fundraising stages of the project. you can check out their fundraising campaign here:

http://igg.me/at/thekcac/x/6857275

Please consider donating even just 5 dollars to this! If we do not do it together, it wont happen – Kalamazoo is a tried and true testament of this.

New Year – Big Plans – DITKalamazoo

Being that DIT is a loose collective, a malleable concept, and a bare-bones website, the way in which it functions frequently goes through changes. Depending on what people need or are interested in, the usefulness of the site changes, waxes and wains. This year we saw the site not only promoting house shows, but also workshops, poetry readings, and a few local venues became notable players in booking DIY bands. Where Kalamazoo steps up and does things with a bend on self-sufficiency, hopefully DIT is helping you hear about it. In spite of a drop in write-ups, the traffic on the DIT site is higher than any previous years!

One notable change that happens with each passing lease period, houses disband and new folks pick up the slack. We saw several major players in the house show scene close their doors. Fat Guy House, Victory House, The Black Lodge, and Touchdown City ceased activity, with folks moving onward and outward. Several other houses have dropped their booking significantly. We look forward to the new houses (and new venues, rumor has it!) springing up, as they are already beginning to, and what new they bring to the creative output here.

For the new year we look forward to some other small, positive changes for DIT. A revamped website is in the work, that will make community involvement easier to achieve. By making the site more user-friendly, and user-submitted content, we hope to get the word out on the great events our small city has to an even greater degree.

If you’re looking to get involved, the meetings will be occuring Sundays at 6:00PM at 611 w Cedar. You can also email ditsidebar@gmail.com if you have events you would like to be included on the site, but cannot make it to a meeting.

December is BAD HISTORY MONTH at the Corner Record Shop – 12/11/13

It’s cold and snowy. You want to be inside a place. The Corner Record Shop is a place. Wednesday night, it is also -the- place to be.

From Boston, Bad History Month will be bringing acoustic versions of tracks by Boston band Fat History Month, from the record Sad History Month. If you like Modest Mouse even a little, You’ll love these guys. For those of you who are familiar with and enjoy About A Million, you may love these guys even more. Naked guitar. world-weary vocals. An ever-present sense of despair coupled with the thrill of living a minute at a time. Is this what being beautiful feels like? You be the judge.

If December is Bad History Month, then Kalamazoo is FUZZ TOWN. Crackling drone-noise-guitar by locals Josh (of Forget The Times) and Josh (of Joshualien, AKA Poncho). A favorite of the local experimental offerings, these guys will make you think about how you feel. Maybe even a little too much.

Finally, Local Boulder Saxsquatch will be playing an experimental solo set.

Doors are open ALL DAY because it’s a RECORD STORE. Bring bucks for the touring act! BYOB but don’t act a danged fool! The show will start at 9 and should be pretty cool! Hope to see y’all there.

DIT Session #45: Young Readers – “All I Have”

DIT Session #45
Young Readers – “All I Have”

http://youngreaders.bandcamp.com/
https://www.facebook.com/youngreadersmusic

 

DITsessions.com

DIT Session #41: Seven Birds One Stone – “Mexico”

We’re back!!! Also, never leave the audio guy in charge of video.

DIT Session #41
Seven Birds One Stone – Mexico

http://sevenbirdsonestone.com/
http://sevenbirdsonestone.bandcamp.com/
https://www.facebook.com/sevenbirdsonestone

DITsessions.com

90’s Greatest Hits, or Saturday Morning Cartoons: Speedy Ortiz, Roomrunner, Rotten Wood Moon, and Anybody But The Cops @ Milhouse 1/11

Someone make me this jacket.

Man, I wish I was as cool the liner of this jacket.

Grime nonsense like static through television Saturday morning cartoons, except going on this Friday night at the, one and only, Milhouse. It’s as if the winter has you feeling to clean or adult like, then slam bam wick-a-wham you have fun-noisy-rock thrown into a dishwasher and up-through those rabbit ears we all used to have fun adjusting in the wee small hours of the morning to watch the naughty channels. Friday night is for the ’90s kids.  Individuals born in ’80s are also welcome–and they may invite the other decades if they promise to be cool.

Speedy Ortiz is back from the pits of shows that weren’t with Minutes–which was a bloody fine, hot show that had the room running with sweat and dusty ceiling bits. Had you dancing about with plenty of head swinging–more like droopy swaying with heavy female narration. Moody summertime tunes in a winter basement. Some say they are akin to Built  to Spill, and others could say they’d fit right in with The Pillows.

Roomrunner is also tailing with Speedy Ortiz on their newest tour. Sounding like droning forever rock, Roomrunner just keeps pacing, jogging, moving, and playing to a driven guitar section and garage vocals until things fall apart. Faster than Speedy Ortiz and a bit more like Sex Bob-ombs–if that is a silly enough comparison for ya’. Less silly things could be

Speaking of things falling apart–look who is back together! Rotten Wood Moon is adding on to it’s string of sparse shows with their first of the year. Mad conversations ‘twixt pedals, strings, and however they can be abused or contorted, Rotten Wood Moon rambles on in the finest of noise fashions.

Finally, those wascally sludge punk-ers, Anybody But The Cops, are going to smear over rock and dirtied-up the funk in an appropriately grimy fashion, I’m sure. Recently, bassist Rory was quoted as saying “my bass line is just too clean for these songs” so expect to feel ashamed of how nasty those notes are going to rattle your ass-kicking boots.

Hey, Speedy Ortiz is out on tour from Northampton, MA and Roomrunner is here from Baltimore, MD, so show some donation love for the touring bands.

Respect the house, be totally radical, eat some pizza, enjoy the show. And dress up like a Street Shark. But that is only if you want to be my best friend.

Short and Simple, Crazy Battles and Old Reunions @ The Courthouse features Crash City Saints, Jake Simmons vs. Decades, Smallhouse, and Uuno

Seriously though, I feel like Michael Cera all the time.

Basically the show tomorrow.

Alright. Want punk-rock? Courthouse has it–provided by those friendly Hex Bombs. Sure to blow your face off, along with all the piercings and punk apparel you choose to bring along.

Jake Simmons? He’s feeling fiesty too. Feisty enoughto challenge the fearsome Decades fighters to a band battle to the best. Someone bring a trophy–although the prize will be oodles of fun for all.

VS.

Also, good ole Chris Wahamaki, one of the founding members of Crash City Saints will be playing a set together with the ole band–shoegazing holes right through your soles. Dreamsicle-pop, wavy, gum-drop, hazy, fun adjectives.

Spastic math rock will be all over listeners plates too, if they give their ears to touring band Smallhouse–this duo is on tour from Bowling Green, KY, and is sure to scream your eyes open while technical instrumentals will keep things titillating.

He has one more thing to add, too. Chris will be performing a unique set of sorts of his solo project, UUNO, with the hometown heroes of Crash City Saints, Lincoln County War, Werewolf, Mushmen, and Witchfingers. I’ll let you figure out how that might sound.

Respect the court, respect the citizens, respect yourself, respect the fun. Show starts at 9 p.m.

Questions? Email ditkalamazoo@gmail.com or espontaneo.clark@gmail.com

Also. This.

12/12: First Ever Kalamazoo Free School Workshop – Booking, Promoting, and Managing Shows – at No Fun House

A free school is an informal, community-based method of education that puts emphasis on skill-sharing, experience, accessibility, and getting involved with others in your community.

This workshop is a primer/refresher on setting up shows in your basement. Things like booking touring and local bands, finding a suitable basement, promoting your event, and basic crowd control before, during and after the show. This is also the first workshop in a series regarding house shows, so stay in the loop!

Whether you’ve never done a show before and need the know-how, or you’re a seasoned expert and have something to share, come to No Fun House on Dec. 12th!

If you want to offer to teach a workshop, find out about workshops going on, or just hear more about free schools, organizational meetings are going to be held every other Monday at 5pm. The next meeting is Monday December 17th at 926 Davis. For more information, check out the facebook.

12/11: When A Lumberjack Falls In The Woods–High Dive, Our Lady, George Costanza, and Witchfingers @ Milhouse

When carousing on a Tuesday night in Kalamazoo, Michigan, some stroller-abouts might have trouble finding something “relatable.” More so if if they happen to be a straight, white, male.

You get weird looks in the bars, surrounded by hordes of glassy-eyes ogling your Levi’s and plaid, and all the restaurants have funny names for the drinks like “Rainbow Hobgobbler,” or “Jackie Gleeson’s Log Cabin Party.”  By golly it even seems like the way I wear the bristly spider hairs on my face becomes subject to public criticism; especially on Tuesdays.

It happens everyday. Taking over the music scene, too. Gays, lesbians, transexuals, transgender, all the Alphabet Soup Party members burst out the perfectly matched shutters, periwinkle closets, and checkerboarded picnic tables of the Vine Street Neighborhood, screaming and hollering indecipherable rants on “acceptance,” “tolerance,” “community,” and “identity” into the atmosphere, inevitably linking up to the hive minded stage over at the 411 Club also known as Metro.

Spinning off of these choruses and chasms is what can be considered “queer-core,”  what show-booker and house-venue operator Rory Svekric describes as a genre that askews “ ‘heteronormatively’ written” songs “that need to be fudged a little to be relatable.” They may or may not contain members of the overwhelming  majority that is the LGBTQA as well. That’s why she booked the Bloomington, Indiana queer-core pop-punk trio High Dive for her show tomorrow at Milhouse–and maybe for lead singer Toby Foster’s playful lisp, or the quick bursts of energy that surround their two-and-half minutes diddys about isolation, love, and suicide as angst ridden teens and twenty-somethings. Kissing boys is a major theme as well.

Who can possibly find themselves in these songs?

High Dive will be playing alongside the ever-changing power-pop-punk group Our Lady from Springfield, IL, and home-grown emo-indie acts Witch Fingers and George Costanza, the second of which may quite possibly be the most emo band name I’ve ever heard. Both of the home town groups share a spastic spittle ridden silliness in their sound, that in some way shape or form may be appealing those gruff young kids that have the same spastic spittle ridden silliness called angst.

Tomorrow night, Milhouse. 8:30 p.m. Donations for the touring bands would be more than tolerated.

Respect the house, respect the bands, respect the perspectives.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

12/9: Noise Noise Noise or, Get Off My Lawn–Rotten Wood Moon, Rapstar, Cathode Ray, and brick mower @Victory House

Rotten Wood Moon

noise

According to the googlebox, the most the news world of Kalamazoo has to say of “noise” is the new amendment passed by the Kalamazoo Board of Trustees to their previous ordinance. According to Emily Monacelli of mlive, “The Kalamazoo Township Board of Trustees voted unanimously Monday to amend the township’s noise ordinance to exempt noises sanctioned or conducted by governmental units, public or private schools.”

Seems the audibly blaspheming steps of children stampeding out to the hellish commands of the wailing banshee screech that is the recess bell outside the Reformed Heritage Christian School pushed one man to the brink of decency. The edge of mediocrity could not be dulled by their hedonistic cries of pleasure; damn well indecent that is. Faith against the system prevailed in giving those hellions a medium for their sickening, exasperating behavior.

In my experience, the 80’s era 3-way speakers, Panasonic tweeders satellites engineered for maximum noise blasting in a college living room consumed by piles of plastic like Born To Run, Shabazz Palaces, Broken Boy Soldier, Emperor X, all begin to echo bits of euphoria once analyzed for decibel content and carefully monitored by the blue men and women of the KPD.

Noise is a commodity to be given and controlled, like borrowing the salt from your neighbor to bake them a batch of green brownies; something to be shared naked, heaving, dazed and blurry-eyed. I harassed Dr. Herzog, an old friend recently tenured in the glass booth over at CVS, into slipping me a half-dozen scripts of noise for this growth on the side of my head, but upon opening my white-baggie all that sat at the bottom  was a 36 ounce tube of testosterone cream. Bastard mumbled something about “…not more than 50 decibels after 10p.m.” and retreated into the shelves to go calcinate some meth from the empty bottles of high-end cold-medicine. Or something like that.

After vigorously applying, one doesn’t usually notice a difference. And I haven’t, so that’s enough of that. Instead there some other folks trying to tell the young men and women of Kalamazoo how to responsibly enjoy their use of noise. Rotten Wood Moon, a recently resurrected group of musicians, will be headlining a noise-show over at Victory House Sunday night at 9 p.m.. Along with house-made-group Cathode Ray, and visiting noisemakers Rapstar, of Brooklyn, NY. I expect they will be making plenty of the stuff. Noise, that is.

It’s strong stuff, too. Made right in the living room or basement, filling up the hallways, it stinks of life–and it’s just as unstable. I’ll be damned if I know why there are any reasons to flock to these sorts of things, bashing on guitars, projections on the walls of empty hallways, lost-faces, dead dogs. The audience is likely to be in-corporeally surrounded by wails, drones, and chants that would drive fear into an Satan-loving man’s heart. Could hardly call the stuff music; sometimes sounds like jazz, meandering into rock, other times just instrumental spew–all of it a blatant disregard for the rules. I saw a  noise-freak once lay his electric guitar on the ground and start hammering away with his hands to the neck and body, summoning forth chords that the instrument wasn’t used to making in a performance setting. The audience just stared on like occultists monks, zoned out in a daze only replicated in the back-alley opium dens of Chicago’s Southwest side.

For their farce on Sunday they’ve even harassed some properly-performing punk band into playing with them–expanding the stuff to those that can’t handle the hard, ethereal, ether stuff and making it accessible for the Bouncing Soul types to get a hold of noise. I’d heard about the sleazy streets of New Jersey from a cousin who’d gone to Seton Hall, but I thought that brick mower, the group that is, might try to do their civic duty and keep it down. Their music doesn’t seem to reflect that standard of proper noise-making, instead traditionally following the lines of power chords and loud choruses, songs about sex and cigarettes.

Peddling expression to the creative youth like it’s something to be freely abused. It seems like 50db isn’t a marker of common decency anymore. First the children, now this–I’m going to start petitioning for a new ordinance. God knows what they might be teaching in that house.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

Respect the house. Respect the noise. Respect the self. Donate for the touring bands.