Tag Archives: dit

DIT Session #32: The La De Les – “The Sulfur Baths”

DIT Session #32
The La De Les – The Sulfur Baths

http://ladeles.com/
https://www.facebook.com/theladeles

DITsessions.com

 

DIT Session #31: Gratiot Lake Road – “Letters”

DIT Session #31
Gratiot Lake Road – “Letters”

http://www.gratiotlakeroad.com/
http://gratiotlakeroad.bandcamp.com/
https://www.facebook.com/gratiotlakeroad

 

DITsessions.com

DIT Session #30: Alex Young – “You Broke My Heart, And My Stepmom’s Fingers”

DIT Session #30
Alex Young – “You Broke My Heart, And My Stepmom’s Fingers”

 

DIT Session #29: Math The Band – “Guts”

DIT Session #29
Math The Band – “Guts”

http://www.maththeband.com/
https://www.facebook.com/maththeband

12/11: When A Lumberjack Falls In The Woods–High Dive, Our Lady, George Costanza, and Witchfingers @ Milhouse

When carousing on a Tuesday night in Kalamazoo, Michigan, some stroller-abouts might have trouble finding something “relatable.” More so if if they happen to be a straight, white, male.

You get weird looks in the bars, surrounded by hordes of glassy-eyes ogling your Levi’s and plaid, and all the restaurants have funny names for the drinks like “Rainbow Hobgobbler,” or “Jackie Gleeson’s Log Cabin Party.”  By golly it even seems like the way I wear the bristly spider hairs on my face becomes subject to public criticism; especially on Tuesdays.

It happens everyday. Taking over the music scene, too. Gays, lesbians, transexuals, transgender, all the Alphabet Soup Party members burst out the perfectly matched shutters, periwinkle closets, and checkerboarded picnic tables of the Vine Street Neighborhood, screaming and hollering indecipherable rants on “acceptance,” “tolerance,” “community,” and “identity” into the atmosphere, inevitably linking up to the hive minded stage over at the 411 Club also known as Metro.

Spinning off of these choruses and chasms is what can be considered “queer-core,”  what show-booker and house-venue operator Rory Svekric describes as a genre that askews “ ‘heteronormatively’ written” songs “that need to be fudged a little to be relatable.” They may or may not contain members of the overwhelming  majority that is the LGBTQA as well. That’s why she booked the Bloomington, Indiana queer-core pop-punk trio High Dive for her show tomorrow at Milhouse–and maybe for lead singer Toby Foster’s playful lisp, or the quick bursts of energy that surround their two-and-half minutes diddys about isolation, love, and suicide as angst ridden teens and twenty-somethings. Kissing boys is a major theme as well.

Who can possibly find themselves in these songs?

High Dive will be playing alongside the ever-changing power-pop-punk group Our Lady from Springfield, IL, and home-grown emo-indie acts Witch Fingers and George Costanza, the second of which may quite possibly be the most emo band name I’ve ever heard. Both of the home town groups share a spastic spittle ridden silliness in their sound, that in some way shape or form may be appealing those gruff young kids that have the same spastic spittle ridden silliness called angst.

Tomorrow night, Milhouse. 8:30 p.m. Donations for the touring bands would be more than tolerated.

Respect the house, respect the bands, respect the perspectives.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

12/9: Noise Noise Noise or, Get Off My Lawn–Rotten Wood Moon, Rapstar, Cathode Ray, and brick mower @Victory House

Rotten Wood Moon

noise

According to the googlebox, the most the news world of Kalamazoo has to say of “noise” is the new amendment passed by the Kalamazoo Board of Trustees to their previous ordinance. According to Emily Monacelli of mlive, “The Kalamazoo Township Board of Trustees voted unanimously Monday to amend the township’s noise ordinance to exempt noises sanctioned or conducted by governmental units, public or private schools.”

Seems the audibly blaspheming steps of children stampeding out to the hellish commands of the wailing banshee screech that is the recess bell outside the Reformed Heritage Christian School pushed one man to the brink of decency. The edge of mediocrity could not be dulled by their hedonistic cries of pleasure; damn well indecent that is. Faith against the system prevailed in giving those hellions a medium for their sickening, exasperating behavior.

In my experience, the 80’s era 3-way speakers, Panasonic tweeders satellites engineered for maximum noise blasting in a college living room consumed by piles of plastic like Born To Run, Shabazz Palaces, Broken Boy Soldier, Emperor X, all begin to echo bits of euphoria once analyzed for decibel content and carefully monitored by the blue men and women of the KPD.

Noise is a commodity to be given and controlled, like borrowing the salt from your neighbor to bake them a batch of green brownies; something to be shared naked, heaving, dazed and blurry-eyed. I harassed Dr. Herzog, an old friend recently tenured in the glass booth over at CVS, into slipping me a half-dozen scripts of noise for this growth on the side of my head, but upon opening my white-baggie all that sat at the bottom  was a 36 ounce tube of testosterone cream. Bastard mumbled something about “…not more than 50 decibels after 10p.m.” and retreated into the shelves to go calcinate some meth from the empty bottles of high-end cold-medicine. Or something like that.

After vigorously applying, one doesn’t usually notice a difference. And I haven’t, so that’s enough of that. Instead there some other folks trying to tell the young men and women of Kalamazoo how to responsibly enjoy their use of noise. Rotten Wood Moon, a recently resurrected group of musicians, will be headlining a noise-show over at Victory House Sunday night at 9 p.m.. Along with house-made-group Cathode Ray, and visiting noisemakers Rapstar, of Brooklyn, NY. I expect they will be making plenty of the stuff. Noise, that is.

It’s strong stuff, too. Made right in the living room or basement, filling up the hallways, it stinks of life–and it’s just as unstable. I’ll be damned if I know why there are any reasons to flock to these sorts of things, bashing on guitars, projections on the walls of empty hallways, lost-faces, dead dogs. The audience is likely to be in-corporeally surrounded by wails, drones, and chants that would drive fear into an Satan-loving man’s heart. Could hardly call the stuff music; sometimes sounds like jazz, meandering into rock, other times just instrumental spew–all of it a blatant disregard for the rules. I saw a  noise-freak once lay his electric guitar on the ground and start hammering away with his hands to the neck and body, summoning forth chords that the instrument wasn’t used to making in a performance setting. The audience just stared on like occultists monks, zoned out in a daze only replicated in the back-alley opium dens of Chicago’s Southwest side.

For their farce on Sunday they’ve even harassed some properly-performing punk band into playing with them–expanding the stuff to those that can’t handle the hard, ethereal, ether stuff and making it accessible for the Bouncing Soul types to get a hold of noise. I’d heard about the sleazy streets of New Jersey from a cousin who’d gone to Seton Hall, but I thought that brick mower, the group that is, might try to do their civic duty and keep it down. Their music doesn’t seem to reflect that standard of proper noise-making, instead traditionally following the lines of power chords and loud choruses, songs about sex and cigarettes.

Peddling expression to the creative youth like it’s something to be freely abused. It seems like 50db isn’t a marker of common decency anymore. First the children, now this–I’m going to start petitioning for a new ordinance. God knows what they might be teaching in that house.

If anyone has comments, questions, or concerns, it is encouraged that they comment below, or email the writer at espontaneo.clark@gmail.com

Respect the house. Respect the noise. Respect the self. Donate for the touring bands.

DIT Session #28 – The La De Les – “Too Small Of Hands”

DIT Session #28
The La De Les – “Too Small Of Hands”
DITsessions.com

http://ladeles.com/
https://www.facebook.com/theladeles

12/1: Double Felix produced peace-jams to wobble-about Kalamazoo Peace Center; Lasso, del Brutto, and Mike Savina

"...except that one scruffy musician, you know, the one that drinks beer"

“All are welcome…even scruffy musicians!”

Western’s Wesley Foundation seems to be the hosting-site for all sorts of acoustic assemblies lately: both the punk-show held last month, and Saturday night’s Double-Phelix themed Peace Phest at 8 p.m., both hosted by the folks of the Kalamazoo Peace Center. Usually the college’s hub for the United Methodist Ministry, the KPC uses the Wesley Foundation and such events to minister doses of green-sense  to the college-aged populace of our fair city; a perusal of their website reveals showings of Gasland, If A Tree Falls, and various public announcements against corporate tyranny. On the website there is even some attention thrown towards the ECO anti-frackers that were being legally lionized over at the Stabbin’ Cabin Friday–but that’s just a distraction. Saturday’s festivities, just like Friday night’s, are all about the fundraising–or merely about fund raising, as there is a suggested donation of five dollars to go towards continuing such activities.

As for the music, it’s regional with a spit of local flair–flavor provided primarily by production/ musical rotating cast Double Phelix Studios. del Brutto, the blues psycho folk sounding fellows from Ann Arbor playing Saturday night, had their recent album Greenhorn produced by Andy Caitlin over at the studio behind Black Owl. The result is garage sound filled with notes of a tin-rattling blues-guitar and a vocal style akin to the maddening rambles of the Jon Spencer Blues Explosion. Sounds like it could be playing in someone’s back porch somewhere with Christmas lights and stuffed hunting prizes, through a lo-fi microphone. Good for the blurry-bar romp, or the exhalation of twitching music nerves. Mike Savina of the Double Phelix collective is also slated to join the group for some added mellow melodies.

Lasso, Andy Caitlin’s solo-soundtrack-western-project, will be providing the other half of the Double Phelix themed performances Saturday night. Like Ennio Morricone bumping into the medicine cabinet and tripping on some smooth Valium (although the metaphor is ruined when realized it isn’t a psychedelic.) Though tomorrow seems to be calling for the 8-piece collective effort  it can be hoped that the goofy, plunking piano, and moseying guitar that seem so aware of the genre Lasso is emulating,satirizing, and ultimately will remain the premise and fun of the project, and in-turn the performance will be just as endearing. Lasso’s newest EP  Lasso, Arizona was released this past Wednesday:

Wesley Foundation is right across from the Flagpoles of Western University, the pinnacle of the hill–or for more tech savvy users just use this address (2101 Wilbur Ave.,  Kalamazoo, MI 49006) with Google Maps.

Respect the venue, respect the bands, and mayhaps donate a few dollars for less broken bones around the world. Or least in Kalamazoo.

DIT Sessions: Kalispell – “Fly Over”

DIT Session #26
Kalispell – “Fly Over”

http://www.kalispellband.com/
http://www.facebook.com/kalispellband

http://DITsessions.com

TONIGHT – Nervous Passenger, Forget the Times, Johhny Foreigner, Jake Simmons & the Little Ghosts @ Milhouse

Nine o’clock tonight at Milhouse, two traveling groups and two local favorites will bring sounds to one of the Kalamazoo underground music community’s favorite basements.

Image

Johnny Foreigner, coming in all the way from the UK, is an energetic four-piece pop punk outfit with some experimental leanings.  They’re hitting up the east coast, as well as the midwest on this tour.

Swerp Records labelmates Nervous Passenger are out with JF.  They provide the type of throaty pop punk commonly brought to the Vine Neighborhood by Fat Guy House.  They describe themselves and their music by saying “…songs are about girls and/or friends and/or beer, and they’re super fun to sing along to.”

Local support for the night comes from experimental/noise rock favorites Forget The Times, as well as left-wing anthem singers/Ted Leo fanatics Jake Simmons & the Little Ghosts.  Donations will be accepted and are encouraged for the traveling bands.  Attendees should plan for a fun night, but also to be respectful of the space, the others attending, and the people organizing/helping out with/playing the show.